Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
“In Philadelphia itself we should not be able to give
concerts of the first quality, and you would naturally
become dissatisfied. And after these second-rate
concerts had gone on for one or two seasons, you would
say to yourself, this must stop; we must have again an
orchestra like what we used to have; we must have a
first-class orchestra. You would begin all over again
to rebuild your Orchestra once more, and do you realize
how long it takes to build or rebuild an orchestra?
“Do you realize that it took me personally all the
seven years that I have been in Philadelphia to get
three first-class artists for just one section of
the Orchestra? And you have ninety-seven men in your
Orchestra! That gives you just an idea of the work
involved.”
* * * * *
“Will Philadelphia give its Orchestra its needed fund,
avoid the calamity I have tried to outline and let the
Orchestra go on as it is, and as the generations go
on, and we go from this life, we will have the feeling
that its influence will go on; that it will accumulate
tradition; that it will go on maturing; and that it
will become more and more beautiful.
“LEOPOLD STOKOWSKI.”
“P. S. In the above I have tried to tell you what must
happen if the Orchestra fails to secure the Endowment
Fund for which it asks.
“In the programme for next week’s concerts, I want to
tell you what will happen if we do get the Fund; the
plan that we have so long had in mind for the Orchestra
and Philadelphia.”
* * * * *
“TO THE FRIENDS OF
THE PHILADELPHIA ORCHESTRA
“We have reason to believe that it is in the hearts of
a number of the friends of the Philadelphia Orchestra
to leave a legacy in their wills to the Orchestra.
Appreciative as we are of this beautiful thought on
the part of these friends, we hope we may not be
misunderstood if we suggest the thought that were such
legacies now given to the Endowment Fund when the
Orchestra stands at the cross-roads of its career, and
when the next fortnight must determine its continuance
or its dissolution, the service rendered would be
greater than may be possible at any other period in
its history. If ever the Orchestra has need of the
kindliest thoughts of its friends it is at this time
when the prestige of this superb organization may be
maintained, its present excellence continued, and its
strength conserved: when it is here to support and when
the generosity of those who believe in it can save it
and make it the permanent institution of Philadelphia
that it deserves and should be.”
* * * * *
Programme, October 24th-25th, 1919:
“It is not a campaign-slogan: it is the truth when we say:
Public-domain text, read in full here on John Shaqi.
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