Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
During the period of his leadership Mr. Stokowski has had various
honors bestowed upon him. After the second performance of the Mahler
Symphony he was presented with a bronze wreath; on the completion of
ten years as conductor in 1922, by the Women’s Committees with a set
of twelve silver plates, and with a silver tankard by the Association;
the University of Pennsylvania conferred on him the Honorary degree of
Doctor of Music in 1920; and in 1922 he was the first recipient of the
Philadelphia Award of Ten Thousand Dollars. His appearances in Europe
in January 1923, when as guest conductor he led orchestras in France
and Italy were greeted with enthusiasm and with press notices of a
laudatory nature.
* * * * *
Although it is a rented building, the Academy of Music is the only
dwelling place the orchestra has known, and the auditorium with its
architectural beauty and perfect acoustics is a marvelous place for
orchestral concerts. Having been built in 1857, its traditions link the
past with the present and cast a spell over the music.
The present stage setting, which replaces the gift of the West
Philadelphia Women’s Committee, is from the design of Mr. Huger
Elliott, and was executed as a labor of love by the students of the
Pennsylvania Museum and School of Industrial Art for the Association.
* * * * *
A possession of the Association is the orchestral library that has
gradually been accumulated. Beginning with the purchase, for $600.00,
of the library of the Philadelphia Symphony Society and augmented in
1911 by Fritz Scheel’s collection, and by the constant addition of
new works, it is now suited to the needs of the orchestra and valued
as a great asset. It contains twelve hundred works with scores, and
orchestral parts for one hundred and ten men, besides four hundred and
thirty scores without orchestral parts.
* * * * *
Advantage is often taken of modern musical inventions. For some years
much care has been given to the making of Victor Records, which are
popular the country over. There is now a list of forty-six, all
exceptionally good, and they have brought the orchestra many friends.
Radio transmitters are not used at performances. The Board of Directors
feels that it is unfair to patrons of the orchestra, who pay for
tickets and take the trouble to attend the concerts in person, to
broadcast the music throughout the country.
Mr. Stokowski recently secured the rights for the first presentation
of the new Hammond Pedal, invented by John Hays Hammond, Jr. The
first public performance on the piano with this attachment was at the
Philadelphia regular series of concerts, on October 30th and 31st,
1925, when Lester Donahue played the Rachmaninoff Second Concerto. The
invention will also be used in Washington, New York City and on the
Western tour.
* * * * *
Public-domain text, read in full here on John Shaqi.
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