Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
Speaking of business, the Endowment Funds of the Association were at
first in the hands of three trustees but now are in the care of a
Corporate Trustee, the Girard Trust Company.
But enough of details! Many forces have combined to make it possible to
maintain an orchestra.
Some years ago Peggy Shippen wrote:
“This remarkable performance (Mahler Symphony),
which attracted music connoisseurs from many cities,
and which will remain a lasting credit to our town,
was the result of a combination of forces patiently
brought together by the will, power and genius of one
man—Leopold Stokowski.
* * * * *
“Such triumphs of art scored in this city do more than
all the advertising in the world to place Philadelphia
in the lead of the great American centers. The Mayor
has spoken of advertising this city; these things do
this legitimately by adding to its opportunities. The
sooner we realize that it is by honest work and the
real thing well done that we can impose respect for our
city and State, the better.
* * * * *
“It is in the last decade or so that those interested
have realized the necessity for ‘coming together.’
This policy seems to have been adopted since Alexander
Van Rensselaer accepted the presidency of the Board
of Directors. No one could be selected in this entire
city better calculated to bring together the elements
indispensable to the success of such an undertaking.
Himself a musician, all his life identified with
musical interests, he is one of the most widely popular
men in this community.
* * * * *
“As the audiences grew and became critical, exacting
a higher quality of music, Mr. Van Rensselaer and his
board rose to the occasion and met the requirements of
growth.
“The Women’s Committee, besides developing the interest
in the success of the orchestra, has helped with the
Guarantee Fund, which, of course, is the pivot upon
which turns the success of the undertaking. Without
the backing of money, to pay for the best procurable
talent, even the greatest genius is helpless to produce
adequately a great work of art.
“It was the combination of Mr. Van Rensselaer’s patient
and broad policy, of the women’s inconspicuous but
telling work of years upon the musical intelligence of
the community, first under Mrs. A. J. Dallas Dixon’s
direction and then under that of Miss Frances Wister,
that provided the fertile ground upon which the genius
of Mr. Stokowski brought out the almost superhuman
result of last week.
“The same success will attend similar methods in other
fields. The theory of ‘splendid isolation’ does not
apply to our epoch.”
* * * * *
Public-domain text, read in full here on John Shaqi.
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