Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
Two Orchestral Concerts under the direction of
Mr. Fritz Scheel will be given for the Relief of
the Families of the Nation’s Heroes killed in the
Philippines.
Soloist for the first concert:
M. VLADIMIR DEPACHMANN
PROGRAMME
WEBER Overture “Euryanthe”
GOLDMARK Symphony, “A Rustic Wedding”
CHOPIN Concerto in F minor
SCHUMANN “Abendlied”
BIZET Scherzo, Suite Roma
LISZT Rhapsodie Ongroise, No. 2
Soloist for second concert:
M. EDOUARD DE RESZKE
Contributions to the Cause may be sent to Mrs. F. A.
Packard, Treasurer, No. 110 S. Eighteenth Street.“
“Our Soldiers and Sailors
On April 5th, at 3.30 P. M.
Second Concert by an Orchestra of Eighty
Philadelphia Musicians
Under the Direction of MR. FRITZ SCHEEL
For the Relief of the Families of men killed in the Philippines.
MR. EDOUARD DE RESZKE, the famous Basso, will sing.”
PROGRAMME
BEETHOVEN Symphony “Eroica”
MEYERBEER Aria, “O Jours Heureux” (from L’Étoile du Nord)
WAGNER Vorspiel, “Lohengrin”
HOFMANN “Im Sonnenschein”
VERDI Aria, “Infelice” (Ernani)
LISZT First Hungarian Rhapsody
“THE PHILIPPINE CONCERTS[10]
MARCH 29, 1900-APRIL 5
UNDER THE PATRONAGE OF
800 PHILADELPHIA MEN AND WOMEN
[10] Programme of March 27th and 28th, 1925.
“Philadelphians generally do not know that The
Philadelphia Orchestra first appeared in this City
of Brotherly Love in disguise, a patriotic one, but
none-the-less, a disguise. Had it tried to stalk boldly
through the city gates, it would have been riddled by
the guns of a critical public which disagreed at every
point when a permanent orchestra was discussed.
“The fact was not made public that these concerts for
the benefit of the families of American soldiers and
sailors fallen in the Philippines were a preliminary
experiment, but on November 16, 1900, as a result of
their success, the first concert of The Philadelphia
Orchestra took place.
“The Committee of Women which launched the concerts,
hardly realized that through their efforts a new era in
Philadelphia music was being inaugurated. The Executive
Committee of men behind the project had such an end in
view, but they preferred to remain unknown.
Public-domain text, read in full here on John Shaqi.
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