Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
PHILADELPHIA ORCHESTRA[12]
MR. FRITZ SCHEEL, _Conductor_
_First Concert_
Friday, November 16th, 1900, at 8.15 P. M.
PROGRAMME
CARL GOLDMARK Overture “In Spring,” Op. 36
LUDWIG VON BEETHOVEN Symphony No. 5, C minor, Op. 67
I. Allegro con brio 2-4
II. Andante con moto 3-8
III. Allegro 3-4
IV. Allegro 4-4
PETER ILITSCH TSCHAIKOWSKY Concerto for Pianoforte No. 1,
B flat minor, Op. 23
I. Allegro non troppo e molto maestoso 3-4
II. Andantino simplice 6-8
III. Allegro con fuoco 3-4
KARL MARIA VON WEBER “Invitation to the Dance,” Op. 65
Orchestration by Felix Weingartner
RICHARD WAGNER Entry of the Gods in “Walhalla,”
from “Das Rheingold.”
Soloist
MR. OSSIP GABRILOWITSCH
This concert was herald as a musical and social event and the
newspapers were highly commendatory and friendly in tone.
[11] See Appendix D.
[12] For remaining programmes see Appendix J.
“ORCHESTRA CONCERTS OPEN AUSPICIOUSLY
“PHILADELPHIA GETTING IN LINE WITH BOSTON, CHICAGO
AND NEW YORK IN HAVING HOME ORGANIZATION.
“OSSIP GABRILOWITSCH,
“The Russian pianist made his Philadelphia début last night.
“The series of concerts by the Philadelphia Orchestra opened under
notably happy auspices in the Academy of Music last evening. The
musical and social interests engaged constituted the occasion an
exceptional one.
“From the results evinced in the performance of the programme
under Mr. Scheel’s direction it must be regarded as well as marking a
distinct period in the musical advancement of the city. Not the least
interesting evidences of general sympathy with the movement to
place Philadelphia in line with Boston, Chicago, and other cities in
the possession of an established orchestra was the fact that Mr.
William Stoll, Jr., and Mr. Henry Gordon Thunder, both identified
with the endeavor to advance this branch of work in the past, figure
in the present movement, the one as a violinist in the organization,
the other as a guarantor.
Public-domain text, read in full here on John Shaqi.
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