Twenty-five years of the Philadelphia Orchestra, 1900-1925 — John Shaqi
Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
_Board of Directors_
A. J. CASSATT C. HARTMAN KUHN
JOHN H. CONVERSE EDWARD G. MCCOLLIN
ECKLEY B. COXE, JR. THOMAS MCKEAN, JR.
F. T. SULLY DARLEY CLEMENT B. NEWBOLD
WILLIAM L. ELKINS JAMES W. PAUL, JR.
MISS MARY K. GIBSON MRS. F. H. ROSENGARTEN
CLEMENT A. GRISCOM EDGAR SCOTT
MRS. A. C. HARRISON SIMON A. STERN
JOHN H. INGHAM MISS ANNE THOMPSON
OLIVER B. JUDSON HENRY WHELEN, JR.
EDWARD I. KEFFER A. VAN RENSSELAER
OSCAR A. KNIPE P. A. B. WIDENER
_Executive Committee_
JOHN H. INGHAM EDWARD G. MCCOLLIN
OLIVER B. JUDSON A. VAN RENSSELAER
EDWARD I. KEFFER HENRY WHELEN, JR.
OSCAR A. KNIPE
Who was the conductor of this new orchestra, who until eighteen months
before was unknown in Philadelphia?
Fritz Scheel was born in Lübeck, Germany, in 1852. His father and
grandfather were orchestral conductors and his mother was a highly
talented singer, from whom he inherited his remarkable memory and fine
ear.
Fritz was the oldest of a large family and worked for his own and his
family’s support from an early age. He received his education from the
city, in return for playing in orchestras and at concerts and operas.
As a boy he often had to fill sudden vacancies, and he was also able to
play the horn, trumpet, trombone and tuba. He was the principal teacher
of his four brothers, all musicians. As his father was a practical
musician, Scheel had had from his childhood an intimate experience
with the details of orchestral instruments. As a boy he conducted an
orchestra of his own formation, giving subscription concerts in nearby
towns which were well attended. At fifteen he appeared as a violin
soloist.
Scheel’s first appearance as a conductor was when he was the youthful
trumpeter in the town band of Chemnitz. Like other municipal bands of
Germany, this one furnished the music for all occasions and happened
to be playing for the circus. The leader was taken ill, and one of the
men was selected as a substitute. When the ring master heard of it, he
said, “No, let that boy conduct. It is he who watches the horses’ feet,
when they dance, and it is he who sets the time for the music.” Scheel
became the leader of the band, and later on was employed by the town as
instructor of all the band and orchestral instruments. This experience
gave him an expert knowledge of technique, which proved valuable later.
In an interview given during the first season here, Scheel described
conducting his first opera, shortly after receiving a life appointment
as first violin in the Court Orchestra at Schwerin.
Public-domain text, read in full here on John Shaqi.
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