Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
“The Unparallelled Musical Clock, made by that great
Master of Machinery, David Lockwood. It excels all
others in the Beauty of its Structure and plays the
choicest Airs from the most celebrated Operas with
the greatest Nicety and Exactness. It performs with
beautiful graces, ingeniously and variously intermixed,
the French Horn, Pieces, perform’d upon the Organ,
German and Common Flute, Flageolet, etc., Sonata’s,
Concerto’s, Marches, Minuetts, Jiggs and Scots Airs,
composed by Corelli, Alberoni, Mr. Händel and other
great and eminent Masters of Musick.”
It was not until Mr. Palma’s concert however, that there seems to have
been any music for which the public could buy tickets. This pioneer
effort was followed by others. The “Subscription Concerts of Musick”
became fashionable in 1764; and later the fortnightly “City Concerts”
under John Bentley at the City Tavern. The Amateur and Professional
Concerts were a popular series. Groups of men fostered music as the
years passed. Francis Hopkinson and his friends both professional and
amateur assembled regularly to play “Concerti Grossi.” This group of
about twelve musicians probably formed Philadelphia’s first Orchestra.
The first real musical impetus came undoubtedly from Francis Hopkinson,
signer of the Declaration of Independence and later member of Congress.
He was besides, a teacher, organist, poet, harpsichordist, essayist,
improver of the harpsichord and the first American composer. Among his
works are the song, “My Days have been so wondrous free,” the earliest
American secular composition extant; and “Seven Songs” dedicated to
Washington. John Adams described him as:—“One of your pretty, little
curious, ingenious men. His head is not bigger than a large apple.
I have not met with anything in natural history more amusing and
entertaining than his personal appearance, yet he is genteel and well
bred, and is very social.”[4]
[4] Sonneck: “Francis Hopkinson and James Lyon.”
Other composers were not lacking as is seen by the announcement of John
Gualdo, in 1769, of a concert in which five out of thirteen numbers
were composed by him. This is the first recorded composers’ concert in
this country and his name appeared with those of the famous composers
of Europe of the day, as Philadelphia was never far behind.
Benjamin Franklin interested himself in the art and constructed an
improved Armonica or Musical Glasses. Thus two important public men of
the time gave music their sanction and assisted its cause.
As the city grew the people began to feel the need of instruction in
music. From early times Philadelphia had its share of music teachers,
the first one to publicly advertise, being a woman. Among them were a
number of excellent Englishmen who presented at concerts the works of
the great masters of Europe; and there were a few Germans. One of these
was an accomplished person if the following announcement which appeared
in 1755, be true:
Public-domain text, read in full here on John Shaqi.
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