Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot SeriesAberigh-Mackay, George
General
Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot Series
Aberigh-Mackay, George
India -- Description and travel; India -- Politics and government -- 1765-1947; India -- Social life and customs
The amiable chief in whose house I am staying to-day is exceedingly
simple in his habits. At an early hour he issues from the zenana and
joins two or three of his thakores, or barons, who are on duty at
Court, in the morning draught of opium. They sit in a circle, and a
servant in the centre goes round and pours the _kasumbha_[D] out of a
brass bowl and through a woollen cloth into their hands, out of which
they lap it up. Then a cardamum to take away the acrid after-taste.
One hums drowsily two or three bars of an old-world song; another
clears his throat and spits; the Chief yawns, and all snap their
fingers, to prevent evil spirits skipping into his throat; a late
riser joins the circle, and all, except the Chief, give him
_tazim_--that is, rise and salaam; a coarse jest or two, and the party
disperses. A crowd of servants swarm round the Chief as he shuffles
slowly away. Three or four mace-bearers walk in front shouting, "Raja,
Maharaja salaamat ho; niga rakhiyo!" ("Please take notice; to the
King, the great King, let there be salutation!") A confidential
servant continually leans forward and whispers in his ear; another
remains close at hand with a silver tea-pot containing water and
wrapped up in a wet cloth to keep it cool; a third constantly whisks a
yak's tail over the King's head; a fourth carries my Lord's sword; a
fifth his handkerchief; and so on. Where is he going? He dawdles up a
narrow staircase, through a dark corridor, down half-a-dozen steep
steps, across a courtyard overgrown with weeds, up another staircase,
along another passage, and so to a range of heavy quilted red screens
that conceal doors leading into the female penetralia. Here we must
leave him. Two servants disappear behind the _parda_ with their
master, the others promptly lie down where they are, draw the sheets
or blankets which they have been wearing over their faces and feet,
and sleep. About noon we see the King again. He is dressed in white
flowing robes with a heavy carcanet of emeralds round his neck. His
red turban is tied with strings of seed pearls and set off with an
aigrette springing from a diamond brooch. He sits on the Royal
mattress, the _gaddi_.[E] A big bolster covered with green velvet
supports his back; his sword and shield are gracefully disposed before
him. At the corner of the _gaddi_ sits a little representation of
himself in miniature, complete even to the sword and shield. This is
his adopted son and heir. For all the queens and all the grand
duchesses are childless, and a little kinsman had to be transplanted
from a mud village among the cornfields to this dreamland palace to
perpetuate the line. On the corners of the carpet on which the _gaddi_
rests sit thakores of the Royal house, other thakores sit below, right
and left, forming two parallel lines, dwindling into sardars, palace
officers, and others of lower rank as they recede from the _gaddi_.
Behind the Chief stand the servants with the emblems of royalty--the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account