Twice round the clock; or, The hours of the day and night in LondonSala, George Augustus
General
Twice round the clock; or, The hours of the day and night in London
Sala, George Augustus
London (England) -- Social life and customs -- 19th century
to feed, and tend, and comfort the poor, and heal them when they were
sick; to keep art and learning from decay and death in a dark age; to
build cathedrals, whose smallest buttress shall make your children’s
children, Sir Charles Barry, blush; but they were the lazy monks—so
let us cry havoc upon them. They were shavelings. They didn’t wash
their feet, they aided and abetted Guy Fawkes, Ignatius Loyola, and the
Cardinal Archbishop of ——.
It is six o’clock on a glorious summer’s morning; the lazy monks fade
away like the shadows of the night, and leave me in Covent Garden, and
in high market. Every morning during the summer may be called market
morning; but in the winter the special mornings are Tuesday, Thursday,
and Saturday. It is a strange sight then in the winter blackness to see
the gas glimmering among huge piles of vegetables hoisted high on carts,
and slowly moving like Birnam Woods coming to a Dunsinane of marketdom.
When the snow is on the ground, or when the rain it raineth, the glare of
lights and black shadows; the rushing figures of men with burdens; the
great heaving masses of baskets that are tumbled from steep heights; the
brilliantly-lighted shops in the grand arcade, where, winter or summer,
glow the oranges and the hot-house fruits and flowers; all these make up
a series of pictures, strange and sometimes almost terrible. There are
yawning cellars, that vomit green stuff; there are tall potato-sacks,
propped up in dark corners, that might contain corpses of murdered men;
there are wondrous masses of light and shade, and dazzling effects of
candlelight, enough to make old Schkalken’s ghost rise, crayon and
sketch-book in hand, and the _eidolon_ of Paul Rembrandt to take lodgings
in the Piazza, over against the market.
[Illustration: COVENT GARDEN MARKET: THE WEST END.]
Public-domain text, read in full here on John Shaqi.
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