Twice round the clock; or, The hours of the day and night in LondonSala, George Augustus
General
Twice round the clock; or, The hours of the day and night in London
Sala, George Augustus
London (England) -- Social life and customs -- 19th century
I know that the part which I have proposed to myself in these papers is
that of a chronological Asmodeus; you, reader, I have enlisted, _nolens
volens_, to accompany me in my flights about town, at all hours of the
day and night; and you must, perforce, hold on by the skirts of my cloak
as I wing my way from quarter to quarter of the immense city, to which
the Madrid which the lame fiend showed his friend was but a nut-shell.
And yet, when I look my self-appointed task in the face, I am astounded,
humiliated, almost disheartened, by its magnitude. How can I hope to
complete it within the compass of this book, within the time allotted
for daily literary labour? For work ever so hard as we penmen may, and
rob ever so many hours from sleep as you may choose to compute—as we are
forced to do sometimes—that you may have your pabulum of printed matter,
more or less amusing and instructive, at breakfast time, or at afternoon
club reading hour, we must yet eat, and drink, and sleep, and go into
the world soliciting bread or favours, we must quarrel with our wives,
if married, and look out the things for the wash, if single—all of which
are operations requiring a certain expenditure of time. We must, we
authors, even have time, an’t please you, to grow ambitious, and to save
money, stand for the borough, attend the board-room, and be appointed
consuls-general to the Baratarian Islands. The old Grub Street tradition
of the author is defunct. The man of letters is no longer supposed to
write moral essays from Mount Scoundrel in the Fleet, to dine at twopenny
ordinaries, and pass his leisure hours in night-cellars. Translators
of Herodotus no longer lie three in a bed; nor is the gentleman who is
correcting the proof-sheets of the Sanscrit dictionary to be found in a
hay-loft over a tripe shop in Little Britain, or to be heard of at the
bar of the Green Dragon. Another, and as erroneous, an idea of the author
has sprung up in the minds of burgesses. He wears, according to some
wiseacres, a shawl dressing-gown, and lies all day on a sofa, puffing a
perfumed _narghilè_, penning paragraphs in violet ink on cream-laid paper
at intervals; or he is a lettered Intriguer, who merely courts the Muses
as the shortest way to the Treasury bench, and writes May Fair novels or
Della Cruscan tragedies that he may the sooner become Prime Minister.
There is another literary idea that may with greater reason become
prevalent—that of the author-manufacturer, who produces such an amount of
merchandise, takes it into the market, and sells it according to demand
and the latest quotations, and the smoke of whose short cutty pipe, as
he spins his literary yarn, is as natural a consequence of manufacture
as the black cloud which gusts from Mr. Billyroller’s hundred-feet-high
brick chimney as he spins _his_ yarns for madapolams and “domestics.” The
author-manufacturer has to keep his books, to pay his men, to watch the
Public-domain text, read in full here on John Shaqi.
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