Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
The bride and most of her company had been too much occupied with the
bustle of entrance to hear the first boding stroke of the bell—or, at
least, to reflect on the singularity of such a welcome to the altar.
They therefore continued to advance with undiminished gayety. The
gorgeous dresses of the time—the crimson velvet coats, the gold-laced
hats, the hoop-petticoats, the silk, satin, brocade and embroidery, the
buckles, canes and swords, all displayed to the best advantage on
persons suited to such finery—made the group appear more like a
bright-colored picture than anything real. But by what perversity of
taste had the artist represented his principal figure as so wrinkled
and decayed, while yet he had decked her out in the brightest splendor
of attire, as if the loveliest maiden had suddenly withered into age
and become a moral to the beautiful around her? On they went, however,
and had glittered along about a third of the aisle, when another stroke
of the bell seemed to fill the church with a visible gloom, dimming and
obscuring the bright-pageant till it shone forth again as from a mist.
This time the party wavered, stopped and huddled closer together, while
a slight scream was heard from some of the ladies and a confused
whispering among the gentlemen. Thus tossing to and fro, they might
have been fancifully compared to a splendid bunch of flowers suddenly
shaken by a puff of wind which threatened to scatter the leaves of an
old brown, withered rose on the same stalk with two dewy buds, such
being the emblem of the widow between her fair young bridemaids. But
her heroism was admirable. She had started with an irrepressible
shudder, as if the stroke of the bell had fallen directly on her heart;
then, recovering herself, while her attendants were yet in dismay, she
took the lead and paced calmly up the aisle. The bell continued to
swing, strike and vibrate with the same doleful regularity as when a
corpse is on its way to the tomb.
“My young friends here have their nerves a little shaken,” said the
widow, with a smile, to the clergyman at the altar. “But so many
weddings have been ushered in with the merriest peal of the bells, and
yet turned out unhappily, that I shall hope for better fortune under
such different auspices.”
“Madam,” answered the rector, in great perplexity, “this strange
occurrence brings to my mind a marriage-sermon of the famous Bishop
Taylor wherein he mingles so many thoughts of mortality and future woe
that, to speak somewhat after his own rich style, he seems to hang the
bridal-chamber in black and cut the wedding-garment out of a
coffin-pall. And it has been the custom of divers nations to infuse
something of sadness into their marriage ceremonies, so to keep death
in mind while contracting that engagement which is life’s chiefest
business. Thus we may draw a sad but profitable moral from this
funeral-knell.”
Public-domain text, read in full here on John Shaqi.
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