Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
The lieutenant-governor sat one afternoon resting his head against the
carved back of his stately arm-chair and gazing up thoughtfully at the
void blackness of the picture. It was scarcely a time for such inactive
musing, when affairs of the deepest moment required the ruler’s
decision; for within that very hour Hutchinson had received
intelligence of the arrival of a British fleet bringing three regiments
from Halifax to overawe the insubordination of the people. These troops
awaited his permission to occupy the fortress of Castle William and the
town itself, yet, instead of affixing his signature to an official
order, there sat the lieutenant-governor so carefully scrutinizing the
black waste of canvas that his demeanor attracted the notice of two
young persons who attended him. One, wearing a military dress of buff,
was his kinsman, Francis Lincoln, the provincial captain of Castle
William; the other, who sat on a low stool beside his chair, was Alice
Vane, his favorite niece. She was clad entirely in white—a pale,
ethereal creature who, though a native of New England, had been
educated abroad and seemed not merely a stranger from another clime,
but almost a being from another world. For several years, until left an
orphan, she had dwelt with her father in sunny Italy, and there had
acquired a taste and enthusiasm for sculpture and painting which she
found few opportunities of gratifying in the undecorated dwellings of
the colonial gentry. It was said that the early productions of her own
pencil exhibited no inferior genius, though perhaps the rude atmosphere
of New England had cramped her hand and dimmed the glowing colors of
her fancy. But, observing her uncle’s steadfast gaze, which appeared to
search through the mist of years to discover the subject of the
picture, her curiosity was excited.
“Is it known, my dear uncle,” inquired she, “what this old picture once
represented? Possibly, could it be made visible, it might prove a
masterpiece of some great artist; else why has it so long held such a
conspicuous place?”
As her uncle, contrary to his usual custom—for he was as attentive to
all the humors and caprices of Alice as if she had been his own
best-beloved child—did not immediately reply, the young captain of
Castle William took that office upon himself.
“This dark old square of canvas, my fair cousin,” said he, “has been an
heirloom in the province-house from time immemorial. As to the painter,
I can tell you nothing; but if half the stories told of it be true, not
one of the great Italian masters has ever produced so marvellous a
piece of work as that before you.”
Public-domain text, read in full here on John Shaqi.
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