Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories
Captain Lincoln proceeded to relate some of the strange fables and
fantasies which, as it was impossible to refute them by ocular
demonstration, had grown to be articles of popular belief in reference
to this old picture. One of the wildest, and at the same time the
best-accredited, accounts stated it to be an original and authentic
portrait of the evil one, taken at a witch-meeting near Salem, and that
its strong and terrible resemblance had been confirmed by several of
the confessing wizards and witches at their trial in open court. It was
likewise affirmed that a familiar spirit or demon abode behind the
blackness of the picture, and had shown himself at seasons of public
calamity to more than one of the royal governors. Shirley, for
instance, had beheld this ominous apparition on the eve of General
Abercrombie’s shameful and bloody defeat under the walls of
Ticonderoga. Many of the servants of the province-house had caught
glimpses of a visage frowning down upon them at morning or evening
twilight, or in the depths of night while raking up the fire that
glimmered on the hearth beneath, although, if any were, bold enough to
hold a torch before the picture, it would appear as black and
undistinguishable as ever. The oldest inhabitant of Boston recollected
that his father—in whose days the portrait had not wholly faded out of
sight—had once looked upon it, but would never suffer himself to be
questioned as to the face which was there represented. In connection
with such stories, it was remarkable that over the top of the frame
there were some ragged remnants of black silk, indicating that a veil
had formerly hung down before the picture until the duskiness of time
had so effectually concealed it. But, after all, it was the most
singular part of the affair that so many of the pompous governors of
Massachusetts had allowed the obliterated picture to remain in the
state-chamber of the province-house.
“Some of these fables are really awful,” observed Alice Vane, who had
occasionally shuddered as well as smiled while her cousin spoke. “It
would be almost worth while to wipe away the black surface of the
canvas, since the original picture can hardly be so formidable as those
which fancy paints instead of it.”
“But would it be possible,” inquired her cousin,” to restore this dark
picture to its pristine hues?”
“Such arts are known in Italy,” said Alice.
The lieutenant-governor had roused himself from his abstracted mood,
and listened with a smile to the conversation of his young relatives.
Yet his voice had something peculiar in its tones when he undertook the
explanation of the mystery.
Public-domain text, read in full here on John Shaqi.
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