Now for a scene. Amid the throng of a London street we distinguish a man, now waxing elderly, with few characteristics to attract careless observers, yet bearing in his whole aspect the handwriting of no common fate for such as have the skill to read it. He is meagre; his low and narrow forehead is deeply wrinkled; his eyes, small and lustreless, sometimes wander apprehensively about him, but oftener seem to look inward. He bends his head and moves with an indescribable obliquity of gait, as if unwilling to display his full front to the world. Watch him long enough to see what we have described, and you will allow that circumstances—which often produce remarkable men from Nature’s ordinary handiwork—have produced one such here. Next, leaving him to sidle along the footwalk, cast your eyes in the opposite direction, where a portly female considerably in the wane of life, with a prayer-book in her hand, is proceeding to yonder church. She has the placid mien of settled widowhood. Her regrets have either died away or have become so essential to her heart that they would be poorly exchanged for joy. Just as the lean man and well-conditioned woman are passing a slight obstruction occurs and brings these two figures directly in contact. Their hands touch; the pressure of the crowd forces her bosom against his shoulder; they stand face to face, staring into each other’s eyes. After a ten years’ separation thus Wakefield meets his wife. The throng eddies away and carries them asunder. The sober widow, resuming her former pace, proceeds to church, but pauses in the portal and throws a perplexed glance along the street. She passes in, however, opening her prayer-book as she goes.