Our brief interview gave me the feeling that I may ask you for help in any difficulty or perplexity that occurs in the preparation of a work so new to me. You were very kind to me. I daresay I seemed to you nervous and uncertain of how I meant to proceed. I felt like a trembling amateur in that big office of yours. I have never interviewed a publisher before; my novels always went by post—and came back that way too, at first! I had a false conception of publishers, based on—but I must not tell you upon whom it was based. Although why not? Perhaps you will recognise the portrait. A little pot-bellied person, Jewish or German, with a cough, or a sniff, or a sneeze, a suggestion of a coming expectoration, speaking many languages badly and apparently all at once; impressed with his own importance, talking Turgenieff and looking Abimelech. Why Abimelech I don’t know; but that is the hero of whom he reminds me. I met him at a literary garden party to which I was bidden after “The Immoralists” had been so favourably reviewed. It was given by a lady who seemed to know everybody and like no one, a keen two-bladed tongue leapt out among her guests, scarifying them. She told me Mr. Rosenstein was not only a publisher but an amorist. He looked curiously unlike it; but an introduction and a short interview turned me sceptic of my own impression, inclined me to the belief in hers. I have wandered from my theme—your kindness, my nervousness. I shall try to do credit to your penetration. You said that you were sure I should make a success of anything I undertook! I wonder if you were right. And if my Staffordshire book will prove you so? I am going to try and make it interesting, not too technical! But my intentions vary all the time. A preliminary chapter on clays was in my first scheme, I now want instead to tell of the family history of half a dozen potters. From this I begin to dream of stories of the figures; the short-waisted husband and wife a-marketing with their basket of fruit and vegetables, the clergyman in the tithe piece, a benignant villain this, with a chucking-his-parishioners-under-the-chin expression. Dear Mr. Stanton, what will happen if it turns out that I cannot write a monograph, but am only a novelist? You said I could trust you to act as Editor and blue-pencil my redundancies. But what if it should be all redundancy? Put something about this in the agreement, will you? I want to make money, but not at your expense. I _am_ nervous. I fear that instead of a book on Staffordshire Pottery I shall give you an illustrated volume of short stories published at five guineas!! What an outcry from the press! Already I have been called “precious.” Now they will talk of “pretentiousness”; the “grand manner” without the grand brain behind it! Will you really help and advise me? I have never felt less self-confident.