Domestic fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Upper class -- Fiction
Dexter Manford? Well--Dexter Manford's daughter had to admit that it
really wasn't his business if his step-son's marriage threatened to be a
failure; and besides, Nona knew how overwhelmed with work her father
always was, and hesitated to lay this extra burden on him. For it would
be a burden. Manford was very fond of Jim (as indeed they all were), and
had been extremely kind to him. It was entirely owing to Manford's
influence that Jim, who was regarded as vague and unreliable, had got
such a good berth in the Amalgamated Trust Co.; and Manford had been
much pleased at the way in which the boy had stuck to his job. Just like
Jim, Nona thought tenderly--if ever you could induce him to do anything
at all, he always did it with such marvellous neatness and persistency.
And the incentive of working for Lita and the boy was enough to anchor
him to his task for life.
A new scent--unrecognizable but exquisite. In its wake came Lita Wyant,
half-dancing, half-drifting, fastening a necklace, humming a tune, her
little round head, with the goldfish-coloured hair, the mother-of-pearl
complexion and screwed-up auburn eyes, turning sideways like a bird's on
her long throat. She was astonished but delighted to see Nona,
indifferent to her husband's non-arrival, and utterly unaware that lunch
had been waiting for half an hour.
"I had a sandwich and a cocktail after my exercises. I don't suppose
it's time for me to be hungry again," she conjectured. "But perhaps you
are, you poor child. Have you been waiting long?"
"Not much! I know you too well to be punctual," Nona laughed.
Lita widened her eyes. "Are you suggesting that I'm not? Well, then, how
about your ideal brother?"
"He's down town working to keep a roof over your head and your son's."
Lita shrugged. "Oh, a roof--I don't care much for roofs, do you--or is
it _rooves_? Not this one, at any rate." She caught Nona by the shoulders,
held her at arm's-length, and with tilted head and persuasively narrowed
eyes, demanded: "This room is _awful_, isn't it? Now acknowledge that it
is! And Jim won't give me the money to do it over."
"Do it over? But, Lita, you did it exactly as you pleased two years
ago!"
"Two years ago? Do you mean to say you like anything that you liked two
years ago?"
"Yes--you!" Nona retorted: adding rather helplessly: "And, besides,
everybody admires the room so much--." She stopped, feeling that she was
talking exactly like her mother.
Lita's little hands dropped in a gesture of despair. "That's just it!
_Everybody_ admires it. Even Mrs. Manford does. And when you think what
sort of things _Everybody_ admires! What's the use of pretending, Nona?
It's the typical _cliché_ drawing-room. Every one of the couples who were
married the year we were has one like it. The first time Tommy Ardwin
saw it--you know he's the new decorator--he said: 'Gracious, how
familiar all this seems!' and began to whistle '_Home, Sweet Home_'!"
Public-domain text, read in full here on John Shaqi.
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