Arthur Wyant's shabby sitting-room was full of February sunshine, illustrated magazines, newspapers and cigar ashes. There were some books on shelves, shabby also: Wyant had apparently once cared for them, and his talk was still coloured by traces of early cultivation, especially when visitors like Nona or Stan Heuston were with him. But the range of his allusions suggested that he must have stopped reading years ago. Even novels were too great a strain on his attention. As far back as Nona could remember he had fared only on the popular magazines, picture-papers and the weekly purveyors of social scandal. He took an intense interest in the private affairs of the world he had ceased to frequent, though he always ridiculed this interest in talking to Nona or Heuston. While he sat there, deep in his armchair, with bent shoulders, sunk head and clumsy bandaged foot, Nona saw him, as she always did, as taller, slimmer, more handsomely upstanding than any man she had ever known. He stooped now, even when he was on his feet; he was prematurely aged; and the fact perhaps helped to connect him with vanished institutions to which only his first youth could have belonged. To Nona, at any rate, he would always be the Arthur Wyant of the race-meeting group in the yellowing photograph on his mantelpiece: clad in the gray frock-coat and topper of the early 'eighties, and tallest in a tall line of the similarly garbed, behind ladies with puffed sleeves and little hats tilting forward on elaborate hair. How peaceful, smiling and unhurried they all seemed! Nona never looked at them without a pang of regret that she had not been born in those spacious days of dogcarts, victorias, leisurely tennis and afternoon calls... Wyant's face, even more than his figure, related him to that past: the small shapely head, the crisp hair grown thin on a narrow slanting forehead, the eyes in which a twinkle still lingered, eyes probably blue when the hair was brown, but now faded with the rest, and the slight fair moustache above an uncertain ironic mouth. A romantic figure; or rather the faded photograph of one. Yes; perhaps Arthur Wyant had always been faded--like a charming reflection in a sallow mirror. And all that length of limb and beauty of port had been meant for some other man, a man to whom the things had really happened which Wyant had only dreamed. His visitor, though of the same stock, could never have inspired such conjectures. Stanley Heuston was much younger--in the middle thirties--and most things about him were middling: height, complexion, features. But he had a strong forehead, his mouth was curved for power and mockery, and only his small quick eyes betrayed the uncertainty and lassitude inherited from a Wyant mother. Wyant, at Nona's approach, held out a dry feverish hand. "Well, this is luck! Stan was just getting ready to fly at your mother's approach, and you turn up instead!"