She brought both her hands to her lips, then flung them out, sending a
kiss over the sea, as if she wanted to throw her heart along with it on
the deck of the brig. Her face was rosy, her eyes shone. Her repeated,
passionate gesture seemed to fling kisses by the hundred again and again
and again, while the slowly ascending sun brought the glory of colour to
the world, turning the islets green, the sea blue, the brig below her
white—dazzlingly white in the spread of her wings—with the red ensign
streaming like a tiny flame from the peak.
And each time she murmured with a rising inflexion:
“Take this—and this—and this—” till suddenly her arms fell. She had seen
the ensign dipped in response, and next moment the point below hid the
hull of the brig from her view. Then she turned away from the
balustrade, and, passing slowly before the door of her father’s room with
her eyelids lowered, and an enigmatic expression on her face, she
disappeared behind the curtain.
But instead of going along the passage, she remained concealed and very
still on the other side to watch what would happen. For some time the
broad, furnished verandah remained empty. Then the door of old Nelson’s
room came open suddenly, and Heemskirk staggered out. His hair was
rumpled, his eyes bloodshot, his unshaven face looked very dark. He
gazed wildly about, saw his cap on a table, snatched it up, and made for
the stairs quietly, but with a strange, tottering gait, like the last
effort of waning strength.
Shortly after his head had sunk below the level of the floor, Freya came
out from behind the curtain, with compressed, scheming lips, and no
softness at all in her luminous eyes. He could not be allowed to sneak
off scot free. Never—never! She was excited, she tingled all over, she
had tasted blood! He must be made to understand that she had been aware
of having been watched; he must know that he had been seen slinking off
shamefully. But to run to the front rail and shout after him would have
been childish, crude—undignified. And to shout—what? What word? What
phrase? No; it was impossible. Then how? . . . She frowned, discovered
it, dashed at the piano, which had stood open all night, and made the
rosewood monster growl savagery in an irritated bass. She struck chords
as if firing shots after that straddling, broad figure in ample white
trousers and a dark uniform jacket with gold shoulder-straps, and then
she pursued him with the same thing she had played the evening before—a
modern, fierce piece of love music which had been tried more than once
against the thunderstorms of the group. She accentuated its rhythm with
triumphant malice, so absorbed in her purpose that she did not notice the
presence of her father, who, wearing an old threadbare ulster of a check
pattern over his sleeping suit, had run out from the back verandah to
inquire the reason of this untimely performance. He stared at her.
Public-domain text, read in full here on John Shaqi.
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