I cannot go so far as to say I had terrified her. But she was troubled
by my truculence, the more so because I had been always addressing her
with a politeness she did not deserve. Her plump, knitting hands fell
slowly on her knees. She said not a word while I fixed her with severe
determination. Then as I turned away from her at last, she laid down her
work gently and, with noiseless movements, retreated from the verandah.
In fact, she vanished.
But I was not thinking of her. I was looking at the girl. It was what I
was coming for daily; troubled, ashamed, eager; finding in my nearness to
her a unique sensation which I indulged with dread, self-contempt, and
deep pleasure, as if it were a secret vice bound to end in my undoing,
like the habit of some drug or other which ruins and degrades its slave.
I looked her over, from the top of her dishevelled head, down the lovely
line of the shoulder, following the curve of the hip, the draped form of
the long limb, right down to her fine ankle below a torn, soiled flounce;
and as far as the point of the shabby, high-heeled, blue slipper,
dangling from her well-shaped foot, which she moved slightly, with quick,
nervous jerks, as if impatient of my presence. And in the scent of the
massed flowers I seemed to breathe her special and inexplicable charm,
the heady perfume of the everlastingly irritated captive of the garden.
I looked at her rounded chin, the Jacobus chin; at the full, red lips
pouting in the powdered, sallow face; at the firm modelling of the cheek,
the grains of white in the hairs of the straight sombre eyebrows; at the
long eyes, a narrowed gleam of liquid white and intense motionless black,
with their gaze so empty of thought, and so absorbed in their fixity that
she seemed to be staring at her own lonely image, in some far-off mirror
hidden from my sight amongst the trees.
And suddenly, without looking at me, with the appearance of a person
speaking to herself, she asked, in that voice slightly harsh yet mellow
and always irritated:
“Why do you keep on coming here?”
“Why do I keep on coming here?” I repeated, taken by surprise. I could
not have told her. I could not even tell myself with sincerity why I was
coming there. “What’s the good of you asking a question like that?”
“Nothing is any good,” she observed scornfully to the empty air, her chin
propped on her hand, that hand never extended to any man, that no one had
ever grasped—for I had only grasped her shoulder once—that generous,
fine, somewhat masculine hand. I knew well the peculiarly efficient
shape—broad at the base, tapering at the fingers—of that hand, for which
there was nothing in the world to lay hold of. I pretended to be
playful.
“No! But do you really care to know?”
She shrugged indolently her magnificent shoulders, from which the dingy
thin wrapper was slipping a little.
“Oh—never mind—never mind!”
Public-domain text, read in full here on John Shaqi.
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