He talks on with Lady Etwynde in desultory fashion. He knows he need
not exert himself to be entertaining here. She likes a good
listener--one who can be interested in her ideas and follow them, and
with Keith Athelstone, as with Lauraine, she lays her art jargon
aside. Yet in his heart he longs for one sound of Lauraine's
voice--for just five minutes by her side.
They have not met since the scene in Lady Etwynde's garden, and
to-night her greeting has been of the coldest description. But he
dares not go over to her now, as he would have done a few days ago.
He sits there, contenting himself with an occasional glance, and
listening patiently, if a little wearily, to the beautiful æsthete's
discussion. Then Lauraine looks across at him and smiles. His heart
seems to warm beneath that sign of remembrance--his whole face
changes. Lady Etwynde notices it, and grows troubled.
"He is in love, and he does not conceal it--poor boy," she thinks,
compassionately. "Ah, I always thought those fraternal arrangements
were a great imposition. One or other is sure to ask or desire that
'little more' which just makes all the difference. Ah! it is worlds
enough away from these two. Does she know, I wonder? I think not.
She could not act that serenity and indifference. She is too
transparent. Oh, I hope she does not suspect. It would be terrible
indeed. She is so young and beautiful, but she is not happy. Any
one can see that; and her husband is always running after that brazen
woman over there. Dear me, how sad life is. Full of
contradictions--of pain. Mr. Athelstone," she adds aloud, "I want to
speak to that gentleman over there. He is a _savant_ of the most
advanced school. Kindly give me your arm."
Keith rises and obeys, and comes now within the radiance of the
floating white draperies that have been before his eyes the whole
night long.
CHAPTER XI
Lauraine is talking to an elderly man--a colonel in the Guards. She
neither looks up, nor moves, but she is perfectly, painfully
conscious that Keith is standing by her side. She knows that he has
crossed the room, and left Lady Etwynde with her _savant_, and all
the time she has not lifted an eyelid, or stirred from that listening
attitude. Keith stands there patiently. He has the happy knack of
looking always graceful, and to-night he looks handsomer than ever,
despite the pallor of his face, the dark shadows under his eyes. The
Colonel talks on, and Lauraine answers animatedly.
Keith wonders if any memory is at work within her heart--if her light
words and smiles are real or acted.
Public-domain text, read in full here on John Shaqi.
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