"Dinna say those words; they have a wearyful sound on your bonnie
lips," says the aged woman tenderly. "Maybe, it will turn out better
than ye think; and the mistress's heart was just set upon it, you
know, and she was always a masterful woman in her way. Ay--ay, my
bairn, it's ill to greet o'er spilt milk, and all the kye in the
byrne. There, now, they'll e'en be calling you. Yes, I'll remember
about Maister Keith, and he'll hear it as gently as my auld lips can
tell him. Ye may trust Nannie for that. Run ye doon now, my dearie,
and God bless your bonnie face, and give you a' the happiness He sees
fit."
There is a hurried embrace, and then the girl takes up her long,
floating train in her left hand, and so goes out of the room and down
the stairs, and enters her own chamber once more.
"What a time you have been!" exclaims her mother impatiently; "and
Henriette is waiting to put on your veil. Sit down; the carriage
will be here directly."
Without a word the girl seats herself before the glass, and the deft
fingers of the French maid fastens the filmy lace on the beautiful
head, and like a transparent cloud it seems to float over and envelop
the lovely figure in its misty folds.
She looks so exquisitely lovely that both mother and maid hold their
breath for one moment, and then murmur rhapsodies of admiration. The
girl looks quietly at herself, and says nothing. She knows she is
beautiful; she has proved it often enough in her three seasons of
London life, but to-day she cares very little about that beauty, for
her heart is troubled and her peace has fled. If only that letter
had not come!
Alas! it is too late now for regrets or repentance. The moments
hurry on--hurry on as if they would drag her to her doom with flying
wings, not creep along leaden-footed, as her own reluctance would
have had them. How is it she feels like this now--now when it is so
useless, so vain? A few days--nay, even a few hours ago, and she was
content enough; but there seems no content possible now, and the
nearer the hour approaches, the greater grows her dread.
"One moment, mother," she says, as Mrs. Douglas turns to leave the
room. "Henriette, you may go."
The maid retires, and the girl, her face growing very white, comes
close to her mother again, and lays her hand on her arm.
"_Must_ I go through with it?" she says almost wildly. "Could I not
take back my word--even now?"
"Good heavens! are you mad?" ejaculates Mrs. Douglas. "Go back at
the last moment, and the breakfast ready, and the carriages waiting,
and every one at the church, and your _trousseau_ not even paid for
on the strength of the credit of this marriage! My dear Lauraine,
you must be a perfect idiot!"
The girl's face grows cold, her hand falls to her side. "I dare say
I am," she says bitterly. "I feel it now."
Public-domain text, read in full here on John Shaqi.
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