Two banks of the Seine (Les Deux Rives)Vandérem, Fernand
General
Two banks of the Seine (Les Deux Rives)
Vandérem, Fernand
Paris (France) -- Social life and customs -- 19th century -- Fiction
"You don't know!" Cyprien replied, aggressively sarcastic. "Go on! I am
willing to grant you may not know the number of the house; but surely
you know the name of the street; you must at least know in what district
it is!"
M. Raindal hid his uneasiness and pretended deeply to search into his
memory.
"It seems to me," he replied at length, "that he lives in the avenue
Kléber.... Yes, that's it, avenue Kléber."
"Of course! I would have laid a bet on it!" Uncle Cyprien said
victoriously.
Thereupon the dreaded storm burst upon the master in a tumult of abuse
and imprecations.
Cyprien had effectively found the opportunity once more to air his
theory of the "two banks" and he hurled it out with a crash.
As a matter of fact, it was not altogether his own. The Galician had
supplied the idea and Cyprien had but added the eloquent developments
and the vigor of his lungs. But they had so often recited it to each
other, chiseled it together and together enlarged upon it that they no
longer discerned their particular share in the collaboration, and each
of them claimed the authorship, whenever the other happened to be
absent.
According to them, Paris was composed of two cities, absolutely distinct
in population, ways of life and customs. The river Seine divided these
two enemy cities. On its two banks, Sion the venerable faced Gomorrah.
Sion, the left bank, that was, stood for the home of virtue, science and
faith. Her people were chaste, modest and diligent; they had preserved,
in poverty and toil, the honest and decent national traditions. There
the men were pure and the women beyond reproach. The whole inheritance
of the ancestors--loyalty, devotion and high-mindedness were transmitted
from fathers to sons, sheltered from the corruption of money and the
shameful example of the foreigners. In sooth, it was the holy city.
Public-domain text, read in full here on John Shaqi.
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