Two banks of the Seine (Les Deux Rives)Vandérem, Fernand
General
Two banks of the Seine (Les Deux Rives)
Vandérem, Fernand
Paris (France) -- Social life and customs -- 19th century -- Fiction
As a matter of fact, the Saulvards deserved the praise, for they had
shown themselves far from niggardly. The buffet was sumptuous, covered
with silver plate, viands and piles of sandwiches, ices, sweet-smelling
drinks and spread here and there with dishes of frozen fruit in large
pale pink or green rings like dull-colored silk plaques. And everywhere
there were flowers, in bushes, baskets and garlands. Rows of white
chrysanthemums concealed the upper parts of the windows with their
intricate strands, and chains of delicate winter roses climbed along the
chandeliers, whence fell through the crystal the calm, intense glow of
the electric lights.
The orchestra was made up of gypsies in red coats with heavy gold
braidings. They formed a sort of barbaric guard of honor in front of the
piano. In the interval between the dances people stopped to watch them
cleaning their strange instruments as if they were wild men in a camp.
They began to play their sensuous airs. One couple rose, then two, then
three. Then all at once the reflections made by the lights upon the
empty shiny floor disappeared under the mixed crowd of dancers. Mothers
smiled. Old savants dreamily beat the rhythm with their feet; the heads
of young women were bent backwards and their eyes shone in enamored
glances. The enervating beatitude of that music caused them all to
tremble for an instant in spite of themselves with the same pleasure
that drew them together. At those moments one might have imagined
himself witnessing one of those gatherings where people of the same set
are fused in joyous intimacy and with the feeling of being secure among
themselves.
But the illusion disappeared with the last note. It was like refractory
liquids which, as soon as one ceases to beat them together, separate and
naturally resume their own color and their own place. The whirlwind of
the dancers was broken up; close embraces ceased and steady glances
turned away. Instinctively everyone fell back among his own set,
returned to his caste. Once more between hostile groups the floor in
the center of the room stretched out under the lights a desert of
frightening barrenness.
There were but a few daring young men from the great clubs who ventured
on it; Gerald de Meuze, Tommy Barbier, Patrice de Vernaise, Saint-Pons
and the little prince of Tavarande; they had committed themselves at the
urgent entreaty of Mme. de Saulvard. There were also some brother
officers of the fiancé, in sky-blue coats and red trousers with light
bands, most of them titled or bearing those bourgeois names which, while
not noble, announced at least an ancient worth and a duly established
family.
Public-domain text, read in full here on John Shaqi.
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