Two banks of the Seine (Les Deux Rives)Vandérem, Fernand
General
Two banks of the Seine (Les Deux Rives)
Vandérem, Fernand
Paris (France) -- Social life and customs -- 19th century -- Fiction
He multiplied protests of admiration. Then, following the immutable rule
which prompts most people to conclude their compliments with an apology,
he broached the true cause that had brought him to the master. He had
once possessed a collection of cameos, a quite remarkable and
exceptional collection. (As to the quality of the different pieces of
which it had been composed, M. Raindal could consult several of his
colleagues: the Count de Lastreins, of the Academy of Inscriptions;
Baron Grollet, unattached member of the Beaux Arts, or the Viscount de
Sernhac, of the Académie Française, all good friends or old comrades of
the Marquis.) Well, one of the gems of that collection had been a cameo
of Cleopatra. Alas! M. de Meuze had had to part with it, following
financial losses. But he knew where it had gone; into the hands of a
Jewish stock broker, a M. Stralhaus, and, if M. Raindal so desired, the
Marquis fancied that he could obtain permission to examine that piece.
The master neither accepted nor refused. The conversation circled around
the art of cameo-making, with a few comments on the closely-related
subject of numismatics, of which the marquis was not altogether
ignorant. Out of her element Mme. Chambannes piped softly at intervals
her "very prettys" and "very charmings." M. Chambannes, a tall,
fair-haired man, with a faded complexion, a weak eye and fine and scanty
hair, had joined her in the meantime. His thick cylindrical mustache was
like a hinged cover, so closely did it fit his lips. Taken as a whole,
his tired appearance might have been either that of a flabby scoundrel
or of a pleasant young man worn out by his excesses.
All three surrounded M. Raindal, who replied to their chatter with
assenting but weary smiles. He would have reproached himself had he
rebuffed ever so slightly strangers who were so courteous for all their
stupidity. Nevertheless, after a while he grew impatient with this
strained politeness, the end of which he could not foresee. He was now
equally bored by that old marquis with his verbose chatter, which was
worthy of a second-hand dealer, his stories about cameos, sales, and
bargains, and his quotations from catalogues.
At last reinforcements arrived to rescue him. Mme. Raindal returned with
Thérèse and Boerzell. Then began new introductions. Immediately Mme.
Chambannes briefly repeated her compliments. Mme. Raindal, blushing
continually, stammered replies that were like so many apologies. Thérèse
observed in silence; her virile glance judged it all mercilessly. Then
Mme. Chambannes asked what their receiving day was and if she might have
permission to call. There came a period of quiet when they merely
talked for the sake of talking, of the ball, the orchestra and the
dances. Of a sudden Mme. Chambannes called the marquis.
"M. de Meuze...."
"Madame?"
"A little secret. Will you permit me, ladies?"
Public-domain text, read in full here on John Shaqi.
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