Two banks of the Seine (Les Deux Rives) — John Shaqi
Two banks of the Seine (Les Deux Rives)Vandérem, Fernand
General
Two banks of the Seine (Les Deux Rives)
Vandérem, Fernand
Paris (France) -- Social life and customs -- 19th century -- Fiction
Gerald put one arm round her and they began to whirl. At the first steps
she stumbled out of ignorance and fear of losing the rhythm. Then he
lifted her as if she were a child and carried her off gently among the
dancers. Her feet no longer touched the floor. Couples brushed lightly
against her. She had the impression of sliding in rhythms upon clouds
with a robust lover. She closed her eyes. Voluptuous sobs choked her
throat. He thought she was out of breath and stopped.
"Well, mademoiselle.... What did I say?... It goes beautifully...."
Thérèse approved with a nod; her thin lips were pale with pleasure. The
count went on paternally:
"Dancing is like swimming!... You must throw yourself blindly into
it.... Music pushes you along like waves.... Then, after that, you have
nothing to do but let yourself go...."
In order to avoid an impolite silence he continued his theory and his
comparisons.
Thérèse gave him only half answers, in indistinct monosyllables. She was
regaining control of herself as she did upon awaking from those guilty
dreams when Albârt sometimes came in the night so gently to press her.
What! She, Thérèse Raindal, giving way as if she were a perverse child,
a boarding-school girl, in the arms of this insipid male! She was
disgusted with herself. In order to hide her chagrin she applied herself
to watching the leader of the gypsies, a big, olive-skinned man who
played with serious expression. The long movements of his bow tore from
his violin these panting melodies and his fat scarlet-coated chest
swayed with the effort; he had the listening eye and his eyelids
trembled. Thérèse envied his bestiality and the unthinking joy which
animated that man's dark face. Why was she not like that, a thoughtless
brute, without subtlety, one who lived only by his senses, which
supported him even in his art?... A movement from Gerald brought her
back.
"Do we start again?..."
She was still hoping she might refuse and, constraining herself,
murmured:
"But, monsieur, the dance is nearly over!"
"All the more reason.... One more round."
He had said this without enthusiasm and already his eyes turned to the
place where he had to bring her back. A sudden fear seized her. She saw
herself duly thanked, sitting down again, weaned for the rest of the
evening from these rediscovered delights. In a surge of stronger desire
she said resolutely:
"Well, yes, one more round."
He fell back with her among the dancing couples. His stretched arm gave
the beat in an imperceptible palpitation; at each of these soft passes
Thérèse felt the floor giving way under them. Unwittingly she fastened
herself to Gerald, squeezed herself in his embrace. At this contact the
whole past flew back to her in brutal jerks that maddened her.
Public-domain text, read in full here on John Shaqi.
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