Two banks of the Seine (Les Deux Rives) — John Shaqi
Two banks of the Seine (Les Deux Rives)Vandérem, Fernand
General
Two banks of the Seine (Les Deux Rives)
Vandérem, Fernand
Paris (France) -- Social life and customs -- 19th century -- Fiction
In the mirror she shunned the eyes of her mother and of Mme. Chambannes.
A growing anger put fresh speed into her fingers. Yes! They might well
look at her! She had indeed the look of a woman who had just fainted.
She could not have jumped up in worse disorder and less command of
herself had a man seen her thus undressed and disheveled. Her eyes shone
bigger; her eyelids showed a dark shadow as if she had spent a sleepless
night. Perspiration had laid oily tints on the wings of her nostrils and
marked her powdered cheeks with greasy lines. Her bunch of carnations
had fallen down; there was a deep gap in her hair, just over her
forehead, like a dark-edged wound. In her haste she had hooked her
corsage awry and the gauze gaped over her breast, a loose, transparent
cord.
"Poor girl!" Mme. Chambannes risked.... "Do you feel better?"
Thérèse coldly replied:
"Much better, madame, thank you."
She turned to her mother and asked in a tone of command:
"Well, mother, are we going?"
"Just as you say, dear," Mme. Raindal replied.
They went to the anteroom where the men were waiting.
As she came in sight, Gerald rushed forward to inquire and Boerzell
imitated him. But Thérèse, with intentional oversight, hurried towards
the cloakroom. When she came back, leaning on her father's arm, they
were gone. Stupefied, M. Raindal, his satin hat curled under his arm,
supported her wearily. Mme. Raindal closed the cortège, her back bent
under her cape as if she had been an aged servant. Saulvard escorted
them to the top of the stairs.
"It is the heat, that damned heat!" he repeated petulantly.
Bending his little form over the ebony banisters, he shouted:
"To-morrow, I shall send for news.... It will be nothing, I hope, my
dear colleague!"
* * * * *
In the cab that took them home M. Raindal had sat opposite them, leaving
the back seat to his wife and daughter. For a long time they were
silent. Dreamily they gazed through the windows dimmed by the steam,
watching the black streets and the gas street-lamps with their yellow
flames flattened in fanshape. Sitting sideways the master lost his
balance at every jump of the wheels. He had to catch himself up with the
help of the strap that hung in front of the windows; the hard leather
cut his hands and the wooden door hurt his bones. A heavier jolt threw
him against his daughter. Thérèse exclaimed impatiently:
"Father, you are very uncomfortable. Come and sit here between us."
"No," M. Raindal replied, "not at all.... Don't you move.... Well, how
are you getting on?"
"Very well, father, thank you."
Silence fell again and once more Thérèse sat motionless.
Through the semi-darkness M. Raindal contemplated her pouting profile
behind which, no doubt, lurked sorrowful thoughts. He mustered all his
energy and gently asked:
"Well, dear?"
She repeated, "Well, what, father?"
A pause. Then M. Raindal spoke.
Public-domain text, read in full here on John Shaqi.
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