Two banks of the Seine (Les Deux Rives)Vandérem, Fernand
General
Two banks of the Seine (Les Deux Rives)
Vandérem, Fernand
Paris (France) -- Social life and customs -- 19th century -- Fiction
Who could have foreseen that the young _agrégé_ of history would prove
so perfidious? That wheedling southerner, that seductive _Albârt_, as
his deep bass voice sounded his name! He was so caressing, so
passionate; the director of the Normal School had praised him so much!
Even now while she waited outside the gate in that icy mist, Thérèse
Raindal could not believe in the actuality of that past betrayal; she
could not explain it to herself or even understand it. Images, daily
called back to her memory, were so familiar and recent! She fancied she
was beside Albârt in her father's drawing-room in the rue
Notre-Dame-des-Champs. Once more she saw his impudent profile, like that
of a classical bandit, his splendid frame, his straight legs, his huge
brown eyes with scarcely any white to be seen, and the fine black
mustache which he curled with his tapering fingers, coppered by the use
of tobacco. How he had made love to her during those eight days of their
engagement!
She was flat-chested; her mouth was bloodless, small, and narrowed as if
drawn together by a cord; her complexion was dulled by that greenish tan
which one acquires when shut away from the sun, amidst dusty books, in
over-heated libraries or in the feverish air of lecture halls. Albârt
seemed to notice none of all those defects of which she was more
conscious than anyone else and which often made her secretly unhappy. He
saw nothing but her charms. He was always enraptured with her pale,
straight nose chiselled like an antique, with her fierce gray eyes
crowned with black velvet,--like those of Minerva, he would say,--with
the massive coils of her brown hair, which he wanted to take down and
bathe his face in. And the tenderness of his words matched his ability
to flatter.
Ceaselessly, ardently, and without reason, he called her, as in an
invocation or a prayer, "_Oh, ma Theresoun! Oh, ma chato!_" For her he
sang slow Provençal songs, mournful as the tunes played by distant
hunting-horns, which Mme. Raindal, who was also from the South,
accompanied as best she could on the piano, quiveringly singing the
chorus with him. Or, when he was alone with the young girl, he would sit
at her feet on a stool of blue satin while she talked about the
future,--how she would regulate the hours of his work, help him in his
career, and push him on to the highest attainments. Then suddenly,
wildly, he would throw himself upon her and press her in his arms
murmuring, "_Ma Theresoun!_" The stone-like biceps of his arm would roll
against her flesh, his scented mustache would be close to her face, his
fragrant lips meet hers, and she would throw back her head, her eyelids
closed, with a longing to yield, to let the sweet balm of his kisses
permeate all her being.
Public-domain text, read in full here on John Shaqi.
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