Mrs. Chadwick ponders over this idea, but is afraid it will not do, at
least so far as dramatic representation is concerned. The tableaux
might be managed quietly at some future time; but Mr. Chadwick, whose
childhood was passed among strict dissenters in the North, has a
strong objection to theatrical entertainments, and his wife thinks
best to give him no cause for complaint. Nevertheless, the attempt to
secure superior society must be made; and it is first made with
concerts. Mrs. Chadwick drives round to some of those whom she used to
know in her professional days; old Sir Gottlieb Moto, the famous
music-master, who smiles and rubs his hands, and will give her all the
assistance in his power, and Mr. Bluck, the well-known _entrepreneur_
of the Ante-Chamber Concerts, who every year produces such a wonderful
prospectus, and who knows far too much about music to attempt to play
or sing. By the aid of these gentlemen a very excellent concert was
given, at which all the noted singers of the day were present, and
were exceptionally treated in being asked to remain after their
labours were over, and mingle with the company. Mrs. Chadwick made a
great point of this, and went about murmuring to the wives and
daughters of the baronets and M.P.s that she did not forget the time
when she herself was in a similar position, and that she would always
be glad to welcome her brothers and sisters in art; at which the wives
and daughters muttered 'How charming!' to her face, and shrugged their
shoulders and raised their eyebrows to each other when her back was
turned.
Public-domain text, read in full here on John Shaqi.
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