Fairfax-gardens until she should possess a home of her own.
At Fairfax-gardens Eleanor lived happily enough until this question of
her marriage arose to cause her annoyance. Occasions of difference
between the sisters had previously been slight and few, for Eleanor
was in the habit of giving way to her sister's whims, and save when
she was requested to give up her black dress at the end of six
months--a period which Mrs. Chadwick thought quite long enough to show
any outward signs of lamentation for her deceased father--she had but
little difficulty in doing so. On that point, however, she was firm;
and as it would have been impossible for her in her mourning attire to
take part in the festivities which commenced so soon as the prescribed
time was over, Eleanor did not mix with the general society, but only
saw those who were intimate friends at the house. Amongst the latter
was Mr. Spiridion Pratt, a dilettante gentleman of five or six and
thirty, who, having an excellent fortune and a cultivated taste, chose
to pass the 'fallow leisure of his life' with painters, sculptors,
writers, musicians, and actors, and to attempt himself to shine a
little in each of those vocations in which his friends were
proficient. Poems signed 'S.P.' were not uncommon in the pages of the
fashionable magazines; the President of the Royal Academy (remembering
a commission which he had received and executed for painting an
equestrian portrait of the late Mr. Pratt for presentation to the
Muffletubbe Hunt, of which he had been M.F.H.) had made a very
graceful allusion at one of the annual banquets to 'an amateur
contribution of great merit which graces our walls,' and all the
R.A.s of Spiridion's acquaintance, who were in the habit of dining
with him very often, tried to catch his downcast eyes, and in their
after-dinner perambulations through the room nudged each other as they
pointed out a rather gloomy canvas representing a Rhenish wineglass, a
bunch of grapes, half a cut orange, and two boiled prawns, which,
under the title of 'Still Life,' had been S.P.'s contribution to the
exhibition. It is needless to say that 'Ballads of the Blighted,'
words and music by Spiridion Pratt, Esq., are on every piano, and that
two of them, 'My Muffineer' and 'Take, O take the toast away,' have
achieved an unparalleled success.
Public-domain text, read in full here on John Shaqi.
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