Two Centuries of Costume in America, Volume 1 (1620-1820) — John Shaqi
Two Centuries of Costume in America, Volume 1 (1620-1820)Earle, Alice Morse
History
Two Centuries of Costume in America, Volume 1 (1620-1820)
Earle, Alice Morse
Clothing and dress -- United States -- History
It is a pleasure to point out Colonel Hutchinson as a Puritan, though
there was little in his dress to indicate the significance of such a
name for him, and certainly he was not a Roundhead, with his light
brown hair “softer than the finest silk and curling in great loose
rings at the ends—a very fine, thick-set head of hair.” He loved
dancing, fencing, shooting, and hawking; he was a charming musician; he
had judgment in painting, sculpture, architecture, and the “liberal
arts.” He delighted in books and in gardening and in all rarities; in
fact, he seemed to care for everything that was “lovely and of good
report.” “He was wonderfully neat, cleanly and genteel in his habit,
and had a very good fancy in it, but he left off very early the wearing
of anything very costly, yet in his plainest habit appeared very much a
gentleman.” Such dress was the _best_ of Puritan dress; just as he was
the best type of a Puritan. He was cheerful, witty, happy, eager,
earnest, vivacious—a bit quick in temper, but kind, generous, and good.
He was, in truth, what is best of all,—a noble, consistent, Christian
gentleman.
Those who have not acquired from accurate modern portrayal and
representation their whole notion of the dress of the early colonists
have, I find, a figure in their mind’s eye something like that of
Matthew Hopkins the witch-finder. Hogarth’s illustrations of Hudibras
give similar Puritans. Others have figures, dull and plainly dressed,
from the pictures in some book of saints and martyrs of the Puritan
church, such as were found in many an old New England home. _My_
Puritan is reproduced here. I have found in later years that this
Alderman Abel of my old print was quite a character in English history;
having been given with Cousin Kilvert the monopoly of the sale of wines
at retail, one of those vastly lucrative privileges which brought forth
the bitterest denunciations from Sir John Eliot, who regarded them as
an infamous imposition upon the English people. The site of Abel’s
house had once belonged to Cardinal Wolsey; and it was popularly
believed that Abel found and used treasure of the cardinal which had
been hidden in his cellar. He was called the “Main Projector and
Patentee for the Raising of Wines.” Unfortunately for my theory that
Abel was a typical Puritan, he was under the protection of King Charles
I; and Cromwell’s Parliament put an end to his monopoly in 1641, and
his dress was simply that of any dull, uninteresting, commonplace, and
common Englishman of his day.
Alderman Abell and Richard Kilvert, the two maine Projectors for Wine,
1641. Mr. Alderman Abell and Richard Kilvert, the two maine Projectors
for Wine, 1641.
Public-domain text, read in full here on John Shaqi.
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