Two Centuries of Costume in America, Volume 1 (1620-1820)Earle, Alice Morse
History
Two Centuries of Costume in America, Volume 1 (1620-1820)
Earle, Alice Morse
Clothing and dress -- United States -- History
The indentured servant, the redemptioner, or free-willer saw before
him, at the close of his seven years term, a home in a teeming land; he
would own fifty acres of that land with three barrels, an axe, a gun,
and a hoe—truly, the world was his. He would have also a suit of
kersey, strong hose, a shirt, French fall shoes, and a good hat,—a
Monmouth cap,—a suit worthy any man. Abigail had an equal start, a
petticoat and waistcoat of strong wool, a perpetuana or callimaneo, two
blue aprons, two linen caps, a pair of new shoes, two pairs of new
stockings and a smock, and three barrels of Indian corn.
We find that many of these redemptioners became soldiers in the
colonial wars, often distinguished for bravery. This was through a law
passed by the British government that all who enlisted in military
service in the colonies were released by that act from further bondage.
Lady Herrman. Lady Herrman.
In the year 1659, on an autumn day, two white men with an Indian guide
paddled swiftly over the waters of Chesapeake Bay on business of much
import. They had come from Manhattan, and bore despatches from Governor
Stuyvesant to the governor of Maryland, relating to the ever
troublesome query of those days, namely, the exact placing of boundary
lines. One of these men was Augustine Herrman, a man of parts, who had
been ambassador to Rhode Island, a ship-owner, and man of executive
ability, which was proven by his offer to Lord Baltimore to draw a map
of Maryland and the surrounding country in exchange for a tract of land
at the head of the bay. He was a land-surveyor, and drew an excellent
map; and he received the four thousand acres afterwards known as
Bohemia Manor. His portrait and that of his wife exist; they are
wretched daubs, as were many of the portraits of the day, but,
nevertheless, her dress is plainly revealed by it. You can see a copy
of it here. The overdress, pleated body, and upper sleeve are green.
The little lace collar is drawn up with a tiny ribbon just as we see
collars to-day. Her hair is simplicity itself. The full undersleeves
and heavy ear-rings give a little richness to the dress, which is not
English nor is it Dutch.
Public-domain text, read in full here on John Shaqi.
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