Two Centuries of Costume in America, Volume 1 (1620-1820)Earle, Alice Morse
History
Two Centuries of Costume in America, Volume 1 (1620-1820)
Earle, Alice Morse
Clothing and dress -- United States -- History
The likeness of Pocahontas (here) is dated 1616. It is in the dress of
a well-to-do Englishwoman, a woman of importance and means. This
portrait has been a shock to many who idealized the Indian princess as
“that sweet American girl” as Thackeray called her. Especially is it
disagreeable in many of the common prints from it. One flippant young
friend, the wife of an army officer, who had been stationed in the far
West, said of it, in disgust, remembering her frontier residence, “With
a man’s hat on! just like every old Indian squaw!” This hat is
certainly displeasing, but it was not worn through Indian taste; it was
an English fashion, seen on women of wealth as well as of the plainer
sort. I have a score of prints and photographs of English portraits,
wherein this mannish hat is shown. In the original of this portrait of
Pocahontas, the heavy, sombre effect is much lightened by the gold
hatband. These rich hatbands were one of the articles of dress
prohibited as vain and extravagant by the Massachusetts magistrates.
They were costly luxuries. We find them named and valued in many
inventories in all the colonies, and John Pory, secretary of the
Virginia colony, wrote about that time to a friend in England a
sentence which has given, I think to all who read it, an exaggerated
notion of the dress of Virginians:—
“Our cowekeeper here of James citty on Sundays goes accoutred all in
ffreshe fflaminge silke, and a wife of one that had in England
professed the blacke arte not of a Scholler but of a Collier weares her
rough beaver hatt with a faire perle hatband, and a silken sute there
to correspond.”
Corroborative evidence of the richness and great cost of these hatbands
is found in a letter of Susan Moseley to Governor Yardley of Virginia,
telling of the exchange of a hatband and jewel for four young cows, one
older cow and four oxen, on account of her “great want of cattle.” She
writes on “this Last July 1650, at Elizabeth River in Virginia”:—
“I had rayther your wife should weare them then any gentle woman I yet
know in ye country; but good Sir have _no_ scruple concerninge their
rightnesse, for I went my selfe from Rotterdam to ye haugh (The Hague)
to inquire of ye gould smiths and found y’t they weare all Right,
therefore thats without question, and for ye hat band y’t alone coste
five hundred gilders as my husband knows verry well and will tell you
soe when he sees you; for ye Juell and ye ringe they weare made for me
at Rotterdam and I paid in good rex dollars sixty gilders for ye Juell
and fivety and two gilders for ye ringe, which comes to in English
monny eleaven poundes fower shillings. I have sent the sute and Ringe
by your servant, and I wish Mrs. Yeardley health and prosperity to
weare them in, and give you both thanks for your kind token. When my
husband comes home we will see to gett ye Cattell home, in ye meantime
I present my Love and service to your selfe &; wife, and commit you all
to God, and remaine,
Public-domain text, read in full here on John Shaqi.
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