Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
A banquet hall in Dido’s palace. Across the back of the stage is a
colonnade (2), raised above the level of the hall. Through the columns
there is a view (1) out over the moonlit sea. Two broad steps lead from
the colonnade to a landing, from which again three steps at each side
descend to the level of the hall (3). At the second wing (4) on each
side, curtained doorways open into the side rooms, from which the
servants hurry with viands for the table. At the first wing (5), half
columns form the corner of the wall. In the center a sort of triclinium
(6) is set for the feast, a broad, three-sided table flanked by couches
upholstered in Tyrian purple and having pillows of blue and gold.
When the curtain rises, the moonlight is streaming down through the
columns upon the scene. A tripod burns before the triclinium. Otherwise
there is no light except as it flashes from the side rooms when the
curtains are parted for an instant. Servants are strewing the banquet
table with flowers and bringing in dishes of gold.
The antique bronze lamps, hung between the columns, are lighted one by
one, till the scene is brilliant with light and color.
Music is heard within. The servants hastily finish their work. The royal
party enters along the colonnade. Dido is still clad in white, but Anna
and the other ladies of the court have assumed himations of royal
purple, royal blue, brilliant yellow, and deep green. Æneas has laid
aside his helmet and greaves, but still wears his breastplate of mail,
although he carries on his shoulder a cloak of royal purple.
The Carthaginians are more elaborately and richly dressed than in the
first scene. The Trojans have put aside their outer cloaks, and wear
tunics gayly embroidered in colors. The servants wear tunics of white.
The guests recline upon the couches. Æneas is in the seat of honor,
while Dido has placed the supposed Ascanius upon the couch at her side.
Many of the Carthaginians and the Trojans fill the hall.
Dido rises. There is silence through the room. She intones the
invocation.
_Dido_ (731-735):
[For music, see p. 69]
O Jove, thou lord of gods and men, since ‘t is from thee
The rites of hospitality proceed, ordain
That this may be a day of joy to us of Tyre
And these the Trojan exiles; let its fame go down
To our descendants. May the god of wine and joy,
And fost’ring Juno grace and celebrate the day.
The entire company repeats the invocation in unison. When they have
finished, all bow and Dido pours forth the libation upon the table.
Touching the cup to her lips, she passes it to the guests of honor.
While the cup is passing about, Iopas and his chorus sing.
_Song of Iopas_ (suggested by 740-746)
[For music, see p. 72]
I
Public-domain text, read in full here on John Shaqi.
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