Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
Alas, my sister, for thy sighs and grieving tears,
Thy love abandoned and thy trusting faith betrayed!
_Dido_ (419-434):
If this great grief in expectation I have borne,
Then truly shall I patience have to bear it still.
But, sister, grant me in my woe this one request—
For yonder faithless one was wont to cherish thee
Alone, and trust to thee his heart; and thou alone
Dost know the fav’ring time and method of approach
To try the man:—go, sister, and in suppliant strain
Address our haughty foe: I took no oath with Greece
At wind-swept Aulis to o’erthrow the Trojan State,
Nor did I send a hostile fleet to Pergama,
Nor desecrate the sacred ashes of his sire,
That now he should refuse to bend his ear to me.
Go, say his hapless lover makes this last request:
That he wait an easy voyage and a fav’ring gale.
No longer do I ask a husband’s love denied,
Nor yet that he abandon his fair land and realm;
Time, only time, I ask, a little space of rest
From this mad grief, till Fortune give me fortitude,
And teach me how to bear my woe.
_Anna_, preparing to go (412):
O love betrayed,
To what despair dost thou not drive the hearts of men?
Exit Anna.
Dido, at the window, watches her sister as she takes her way down to the
harbor. When she can no longer see her in the gathering twilight, she
turns with a sigh to her chamber.
The old nurse, Barce, totters to her. Dido places her head wearily on
the old woman’s shoulder. Barce, drawing her to a couch, tries to soothe
her. Dido starts up in terror, as if she saw some fearful shape. She
flees before it to her husband’s shrine, and is only recalled from the
fancy when she finds the curtains drawn before it.
Barce comes tremblingly to her. Dido in bitter remorse draws the
curtains from the shrine and kneels before it. Barce hurries away and
soon returns with a lighted candle, which she brings to her mistress.
Dido lights the censer. Curtain.
ACT IV. SCENE 2
The same chamber in Dido’s palace. The shrine of Sychæus is adorned with
flowers; fire glows on the altar. Barce sits spinning at one side.
Dido is pacing the room with fierce energy. She goes to the window from
time to time, then renews her fierce walking to and fro. Suddenly she
presses her hand to her head as if a new thought had come to her. Her
face assumes an expression of cunning. She picks up a golden goblet, and
with a gesture to the old woman sends her to fill it.
When Barce has gone, Dido stealthily but quickly takes Æneas’ sword from
the wall, and, seating herself, with trembling fingers draws it from its
scabbard. She feels the edge, shrinking in terror at the thought of her
intended suicide. With a shudder, she presses the cold blade against her
neck.
Public-domain text, read in full here on John Shaqi.
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