Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
Illustrious Troy! renown’d in every clime
Through the long records of succeeding time;
Who saw protecting gods from heaven descend
Full oft, thy royal bulwarks to defend.
Though chiefs unnumber’d in her cause were slain,
With fate the gods and heroes fought in vain;
That refuge of perfidious Helen’s shame
At midnight was involved in Grecian flame;
And now, by time’s deep ploughshare harrow’d o’er,
The seat of sacred Troy is found no more.
No trace of her proud fabrics now remains,
But corn and vines enrich her cultured plains.
FALCONER, _Shipwreck_.
THE PERSONS OF THE DRAMA
ÆNEAS, son of Anchises and Venus, son-in-law of Priam, and, since the
death of Hector, the leader of the Trojan war-chiefs.
PRIAM, king of Troy, now enfeebled by age.
ANCHISES, the aged father of Æneas.
LAOCOÖN, a son of Priam and priest of Apollo.
PANTHUS, a Trojan noble, priest of Apollo.
CORŒBUS, a Phrygian noble, ally of Priam, in love with Cassandra.
THE GHOST OF HECTOR.
ASCANIUS, son of Æneas and Creüsa (silent).
VENUS, the goddess of love, mother of Æneas.
HECUBA, wife of Priam.
CREÜSA, wife of Æneas.
CASSANDRA, daughter of Priam, reputed to be mad.
PYRRHUS, son of Achilles, leader of the Greeks in their final attack
upon Troy.
SINON, a Greek tool, through whose treachery the Trojans were induced
to admit the wooden horse within their walls.
ANDROGEOS, a Greek chieftain.
TROJAN warriors, nobles, and commons, shepherds, priestly attendants,
boys, women, etc.
GREEK warriors.
ACT I
The Fall of Troy
ACT I. SCENE 1
The plain in front of Troy; the city walls; the sea; and, in the
distance, Tenedos. Morning, without the gates. Joyful crowds of men,
women, and children pour through the open doors. They gather about the
strange wooden horse which stands without, and excitedly inquire what it
means, and what shall be done with it. Thymoetes voices the sentiment of
one party that it should be taken within the walls and set upon the
citadel; while Capys and his adherents urge that they should examine the
mystery where it stands, and destroy it. Great confusion reigns. The
sentiment of Thymoetes seems about to prevail (26-39).
Enter Laocoön, running, followed by a band of priestly attendants, and
shouting while still at some distance.
_Laocoön_ (42-49):
Public-domain text, read in full here on John Shaqi.
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