Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
To stay your hands, if ‘tis enough to hear
That I am Greek, and in your hostile minds
All Greeks are judged alike.
Come, glut your hate
Upon me. For Ulysses would rejoice
To know that I am dead, and Atreus’ sons
Would gladly purchase this with great reward.
Here the stranger pauses in seeming despair and resignation to his fate.
The Trojans urge him to go on with his story. He resumes (108-144):
Full oft the Greeks, in utter weariness
Of that long siege, desired to abandon Troy,
And seek their homes again. Oh, that they had!
But whensoe’er they addressed them to the sea,
Rough wintry blasts and storms affrighted them.
And when this horse, of wooden timbers framed,
Completed stood, a votive offering,
The winds from every quarter of the heavens
Howled threateningly. To seek the will of Heaven,
The anxious Greeks despatch Eurypylus
To Phœbus’ oracle. He straight reports
Apollo’s mandate grim and terrible:
“Before, O Greeks, ye sailed to Troia’s shores,
Ye first had need to appease the angry winds
With bloody sacrifice—a maiden’s death
E’en so, by blood must your return be sought;
Again must Grecian life atonement make.”
When this dire oracle among the crowd,
From ear to ear, from lip to lip was spread,
They stood with horror stunned, and chilling fear
Their inmost hearts with dire forebodings filled.
They trembling ask for whom the fates prepare,
Whom does Apollo seek in punishment?
Then comes the Ithacan with clamor loud,
The prophet Calchas dragging in our midst,
And bids with charge insistent that he tell
The will of heaven. And now from many lips
The grim forebodings of Ulysses’ guile
Assail my ears, while all in silence wait
To see the end. Ten days the seer was mute,
Hid in his tent, refusing steadily
By word of his to doom a man to death.
At length, his feigned reluctance at an end,
And goaded by Ulysses’ clamors loud,
He spoke, and named me as the sacrifice.
All gave assent; and while each feared a doom
Which might befall himself, they calmly bore
When on my wretched head they saw it light.
And now the day of horror was at hand.
All things were ready for the sacrifice;
The salted meal was sprinkled on my head,
And round my brows the fatal fillets twined.
Then, I confess it, did I break my bonds.
I fled from death and in the sedgy reeds
Along the muddy margin of a lake
All night I lay in hiding, hoping there
To lurk until their homeward sails were spread.
And now my country dear I ne’er shall see,
My darling children and my aged sire
Whose face I long to see. But they are doomed
To pay the penalty which I escaped,
And by their death repair this fault of mine.
But by the gods above, divinities
Who with impartial eyes behold the truth,
If anywhere there still abides with men
Unsullied faith, I beg you, pity me
Who have endured so dire a weight of woe,
Public-domain text, read in full here on John Shaqi.
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