Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy — John Shaqi
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
Would dreadful doom (Heaven send it on _their_ heads)
Upon old Priam and his Phrygians come;
But if within your walls this sacred horse
Should by your voluntary hands be set,
Then would all Asia rise with one accord,
And sweep in mighty war against the Greeks,
And that dire doom upon our grandsons fall.
SCENE 3
The Trojans are entirely satisfied with this explanation and treat Sinon
with respectful consideration. At this juncture, two huge serpents come
up out of the sea, and, while the people flee shrieking away on all
sides, they make their way to Laocoön where he stands sacrificing at the
altar, and enfold him and his two sons in their deadly coils (195-227).
SCENE 4
Great excitement follows. People say that Laocoön has perished justly,
since he impiously violated the sacred horse, and loudly demand that the
creature be taken within the walls (228-249):
_A voice from the crowd_:
Oh, dreadful punishment, but well deserved,
For with his impious spear he smote the oak,
The sacred wood to Pallas consecrate.
_Another voice_:
Now haste we and within our city lead
This horse portentous, and with humble prayer
Minerva’s aid and pardoning favor seek.
They hastily enlarge the gate, attach ropes to the horse, and put
rollers under its feet, many willing hands lay hold of the ropes and
pull the horse along. Boys and girls dance and sing around the workers.
The horse sticks at the threshold of the gate, and Cassandra, who has
been looking on as one entranced, cries out forebodingly.
_Cassandra_:
O fatherland! O Ilium, home of gods!
Ye walls of Troy, in war illustrious!
See there, upon the threshold of the gate,
The monster halts—again—and yet again!
And from its rumbling hold I hear the sound
Of clashing arms! O Troy! O fatherland!
But the people, not heeding her, press on and disappear within the city
walls with the wooden horse, on the way to the citadel. Everywhere are
heard sounds of delirious joy.
ACT II
ACT II. SCENE 1
Night. The chamber of Æneas. He lies sleeping calmly upon his couch.
Enter Ghost of Hector, wan and terrible, bearing in his hands the sacred
images of the Penates.
_Æneas_, starting up to a sitting posture, as if talking in a dream
(281-286):
O light of Troy, O prop of Trojan hopes,
What slow delays have held thee from our sight,
O long awaited one? Whence com’st thou here?
We see thee now, with hardships overborne,
But only after many of thy friends
Have met their doom, and after struggles vast
Of city and of men.—But what, alas,
Has so defiled thy features? Whence these wounds
And horrid scars I see?
_Hector_, with deep sighs and groans (289-295):
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