Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
Now haste ye, men; what time for sloth is this?
The rest on fire and pillage are intent,
While you but now address you to the task.
Androgeos suddenly perceives that these are foes, and is struck dumb
with amazement. The Trojans rush upon him and slay him together with the
others of his band.
_Corœbus_, one of Æneas’ band, exultingly (387-391):
O friends, where kindly fortune first doth show
The path of safety, let us follow there.
With these slain Greeks let us our shields exchange,
Their helms and breastplates let us don, and so
In all things seem as Greeks. When foemen strive,
Who questions aught of trickery or might?
Our foes against themselves shall lend us arms.
They exchange arms with the dead Greeks. Thus arrayed, they mingle with
the parties of Greeks who straggle in, and slay them. The Greeks, not
understanding this strange turn of affairs, flee away in terror. This
action is repeated at intervals several times.
Enter a band of Greeks led by Ajax, the Atridæ, and others, dragging
Cassandra roughly along by the hair. Her hands are tied with thongs.
Corœbus, though the odds are overwhelmingly against him, rushes in to
save his beloved Cassandra. The other Trojans, because of their disguise
of Greek armor, are attacked by their own friends stationed at near by
points of vantage, and now the Greeks themselves, recognizing the ruse
at last, overwhelm the little Trojan band by force of numbers. Other
Greeks pour in from all sides and add their testimony that these are
Trojans. In the desperate encounter many of the Trojans fall.
Æneas performs Herculean feats of arms, and slays many Greeks, but is
himself unhurt. At last he and a few followers escape into a street
leading to Priam’s palace, whence loud and continued shouting can be
heard.
SCENE 3
At Priam’s palace (viewed from without), desperately attacked by Greeks
and defended by Trojans. (_a_) The assailants attempt by scaling ladders
to mount to the flat, turreted roof of the palace, while the defendants
hurl down upon these darts and stones, and pry off whole towers which
fall with a mighty crash. The air is filled with the thunderous noise of
these falling masses and with the other confused shouts and sounds of a
desperate conflict.
(_b_) Pyrrhus with a strong band of Greeks is endeavoring to batter down
the gates of the palace at its main entrance.
SCENE 4
Priam’s palace from within. All is confusion and terror. Women rush from
room to room, with disheveled hair streaming, and with cries of wild
despair. A crowded mass of men are attempting to defend the main
entrance. Overhead can be seen and heard the defenders on the roof
opposing the attack from without.
Public-domain text, read in full here on John Shaqi.
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