Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy — John Shaqi
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
Suddenly a tongue of flame is seen to leap and play among the locks of
the boy. His parents, in consternation, attempt to extinguish this, but
to no effect.
_Anchises_, seeing the portent, starts up with wondering joy, stretching
his hands upward in prayer (689-691):
O Jove, if thou art moved by any prayer,
Look on us now; this only do I ask;
And, if our piety deserves the boon,
Help us, O father, and confirm these signs.
A sudden crash of thunder resounds without, and through the open
impluvium a bright star is seen shooting across the sky.
_Anchises_, rising from his couch in trembling haste (701-704):
Now, now is no delay; I’ll follow thee,
O son, wherever thou wouldst have me go.
O gods, on whom our fatherland depends,
Preserve my house, preserve my grandson too.
From you has come this heavenly augury,
And on your will divine does Ilium rest.
I yield me then, O son, into thy hands.
And would no more refuse to go with thee.
Meanwhile from without the glare of the conflagration increases, and the
shouting of the victorious Greeks is heard approaching nearer and
nearer.
_Æneas_ (707-720):
Come then, dear father, mount upon my back,
For on my shoulders will I carry thee,
Nor will I find that burden overhard.
Whatever comes, ‘twill come to both of us,
We’ll share misfortune and deliverance too.
He takes the old man upon his shoulders, first spreading over his back a
lion’s skin.
Let young Iulus fare along with me,
But at a distance let my wife note well
The way I take. And ye, attendants, hark
To what I say. Without the city walls
There is a mound, where stands an ancient fane
Of Ceres, all alone, a cypress tree
Of ancient stock, preserved with reverent care
For many generations, overhangs
The temple walls. Be this our meeting place
To which by devious ways in many bands
We all shall come.
Do thou, my father, carry in thy hands
The sacred emblems and our household gods;
For me, late come from strife, and stained with blood,
‘Twere sacrilege to touch the holy things,
Till I have cleansed me in some running stream.
With his father upon his shoulders and leading Iulus by the hand he
takes his way out of the house. The household follows, leaving the room
deserted.
SCENE 2
A dark street near the Ida gate. Æneas, Anchises, and Ascanius as
before. Suddenly through the darkness there comes the distant sound of
feet and shouting as of pursuers.
_Anchises_, peering in the direction of the sound (733, 734):
Oh, speed thy steps, my son; the foe are near;
I see their gleaming shields and flashing spears.
At this Æneas hastens his steps and leaves the scene, his band hurrying
after him.
SCENE 3
Public-domain text, read in full here on John Shaqi.
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