The room was unusual. There was little furniture in it, and that little exquisite; no carpet, but a lovely Persian rug lay before the fire. All round the walls and half-way up them, were oak book-shelves with glass doors of a pattern new to Mr. Trupp, but designed he was sure in Germany. On the top of one of them was a Jacobean tankard with a crest upon it; in the bow a broad writing-table with the new roll-top. On the brown wall were two pictures, both familiar to the young surgeon who was interested in Art and knew something of it: Botticelli's _Primavera_ and a perfect print of young Peter Lely's famous _Cavalier_--Raoul Beauregard, the long-faced languorous first Earl Ravenwood, who died so beautifully in his master's arms at Naseby. "I had rather lost my crown," the stricken monarch had remarked, so we all as children read in our nursery histories. "Sire," the wounded man had answered. "You are losing little. I am gaining all...." As Mr. Trupp entered, a very tall man, smoking by the fireside, put down a volume of Swinburne, and rose. He was as unusual as the room in which he lived. Young though he was, he had a soft brown beard that suited his weak and charming face and served partially to hide an uncertain mouth and chin. It was noon, but he was wearing slippers and a quilted dressing gown, with the arms of a famous Cambridge College worked in silk on the breast-pocket. Certainly he was hardly the type you expected to find in the little room of a tiny house in a backwater of a seaside resort. His long face had something of the contour of a sheep, and something of a sheep's expression. In a flash of recognition Mr. Trupp glanced from it to that of the love-locked cavalier on the wall above his head. Edward Caspar too had those unforgettable eyes--shy, fugitive, and above all far too sensitive. He had, moreover, the delightful ease of manner of one who has been bred at the most ancient of public schools and universities and has responded to the somewhat stagnant atmosphere of those old-world treasuries of dignity and peace. But a less shrewd eye than Mr. Trupp's would have detected behind the apparent assurance a complete lack of self-confidence. "My father tut--tut--told me you were going to be kind enough to lul--lul--look me up," the young man said with a stutter in the perfect intonation of his kind. "It's good of you to come." "Just looked in for a chat," growled Mr. Trupp, unusually shy for some reason. The two young men talked awhile at random--of the Hospital, of Mr. Caspar Senior and the Grand Northern Railway, of Beachbourne, old and new, its origin, growth, and prospects. Then conversation flagged. Edward Caspar, it was clear, was trying to say something and found it difficult. He stood before the fire, wrapping his dressing-gown about him, and moving elephant-wise from one foot to the other. His brow puckered; his face wrought; his eyes were on the floor.