Mme. de Bargeton, following a new fashion, wore a coif of slashed black
velvet, a head-dress that recalls memories of mediaeval legend to a
young imagination, to amplify, as it were, the dignity of womanhood. Her
red-gold hair, escaping from under her cap, hung loose; bright golden
color in the light, red in the rounded shadow of the curls that only
partially hid her neck. Beneath a massive white brow, clean cut and
strongly outlined, shone a pair of bright gray eyes encircled by a
margin of mother-of-pearl, two blue veins on each side of the nose
bringing out the whiteness of that delicate setting. The Bourbon curve
of the nose added to the ardent expression of an oval face; it was as
if the royal temper of the House of Condé shone conspicuous in this
feature. The careless cross-folds of the bodice left a white throat
bare, and half revealed the outlines of a still youthful figure and
shapely, well placed contours beneath.
With fingers tapering and well-kept, though somewhat too thin, Mme. de
Bargeton amiably pointed to a seat by her side, M. du Châtelet ensconced
himself in an easy-chair, and Lucien then became aware that there was no
one else in the room.
Mme. de Bargeton’s words intoxicated the young poet from L’Houmeau. For
Lucien those three hours spent in her presence went by like a dream that
we would fain have last forever. She was not thin, he thought; she was
slender; in love with love, and loverless; and delicate in spite of her
strength. Her foibles, exaggerated by her manner, took his fancy; for
youth sets out with a love of hyperbole, that infirmity of noble souls.
He did not so much as see that her cheeks were faded, that the patches
of color on the cheek-bone were faded and hardened to a brick-red by
listless days and a certain amount of ailing health. His imagination
fastened at once on the glowing eyes, on the dainty curls rippling with
light, on the dazzling fairness of her skin, and hovered about those
bright points as the moth hovers about the candle flame. For her spirit
made such appeal to his that he could no longer see the woman as she
was. Her feminine exaltation had carried him away, the energy of her
expressions, a little staled in truth by pretty hard and constant wear,
but new to Lucien, fascinated him so much the more easily because he was
determined to be pleased. He had brought none of his own verses to read,
but nothing was said of them; he had purposely left them behind because
he meant to return; and Mme. de Bargeton did not ask for them, because
she meant that he should come back some future day to read them to her.
Was not this a beginning of an understanding?
Public-domain text, read in full here on John Shaqi.
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