England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
Two Studios
By Frances Peard
Illustrations by FM
Published by Society for Promoting Christian Knowledge.
This edition dated 1887.
Two Studios, by Frances Peard.
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TWO STUDIOS, BY FRANCES PEARD.
CHAPTER ONE.
STUDIO NUMBER ONE.
Art, in London, has many unexpected hiding-places. In the great
palace-like houses of her successful followers she makes, it is true, at
times an imposing show; but other votaries, less successful or more
indifferent to outward glitter, find curious homes in which to plant
their easels or model their clay. There is a broad thoroughfare along
which the busy prosaic feverish rush of traffic ceaselessly presses;
where all the surroundings are sordid and unpicturesque and unlovely;
and, in the heart of this, a rusty entrance, with no feature to mark
that it forms a division between two worlds, leads you into a strange,
long court, where is an avenue of trees--twelve old pollarded trees,
breaking into glad greenness of leaf, and gay with the twittering of
birds. The sudden change from the noisy racket without to the peace of
this quiet spot, the charm of contrast between the dark houses and the
black stems and the lovely lightness of green, the oddity of an old
figure-head which ends the line of trees, prepare you, in some measure,
for that other world of which they form a threshold--a world in which
there is hard work and heart-burning and disappointment, but also the
joy of beauty and the eager interest of creation. The studios stretch
like a long arm away to the right, on one side the painters with their
gracious colours and draperies, and the "bits" they have collected
around them; on the other the cold pure marble and the busy workmen
carrying out the master's thought; or, alone and self-contained, the
bronze worker, modelling the clay or moulding the wax for his nobly
severe art.
Charles Everitt, who had set up his tent here among the painters,
thought it, after five years' trial, the most delightful spot in the
world.
To be sure he had a right to take a pleasant view of life.
Public-domain text, read in full here on John Shaqi.
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