England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
He made his next move on Sunday. The chapel of the old Hospital is open
to strangers, and Everitt went off in good time to secure his vantage
post. It was a wet, gusty day, full of growth and softness, a southerly
wind blowing across the river, the trees washed into lovely tender
greens, the red of the building beautiful against the grey clouds. The
birds were singing as usual; the old men encourage them, and they take
full advantage of the safe shelter they find. Just a few people were
turning in at the gates, and lingering on their way to the clock-tower
to look up at the solid walls, when Everitt made his way into the
circular hall facing the fine quadrangle. The old soldier who acted as
verger was not disinclined for a little chat. That was the governor's
stall, the second in command there, and the other officers round, as he
saw. Captain Lascelles? Yes, just before him. If he were a friend of
the family, he might like to go into their pew, or next to them? No?
Well, where would the gentleman like? Everitt indicated a spot
opposite, where he would be fully in sight, and the old man promptly
conducted and shut him in.
It was early, and Everitt looked round him with a good deal of interest.
The chapel, with its plaster ceiling and its high panelling of oak, was
ugly enough, but there was enough in its details to be suggestive. The
old soldiers came dropping in, with fine furrowed faces, and an air of
pride over their medals and their clasps, which stand out in brave
relief against their blue coats. Here is one quite blind, carefully
_led_ in by a comrade; there is another with an old, gentle face and
snow-white hair, with four medals and quite a procession of clasps on
his hollow chest. They file in soon in larger numbers, filling up by
hundreds the body of the church. And overhead hang the old tattered
remnants of flags taken in glorious battle, older many of them than the
oldest men, held together by network, colours faded, substance gone--not
a shred left on the Blenheim poles. There are the Waterloo eagles,
there the republican cap of liberty still flaunts itself; but nowhere in
the whole proud array is anything more pathetic than on one of the
Indian flags, where, looking closely, you may see on the dull surface
the print of a hand, the dead man's hand whose faithful clasp is marked
upon his trust for ever.
Public-domain text, read in full here on John Shaqi.
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