England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
"He isn't so cut and dried as other people, if that's what you mean,"
Jack replied, with warmth. "If there's a kind thing to be done, or a
helping hand to be held out, he's the man to do it. I wish there were a
few more as eccentric as he." Jack felt as if he had made rather a good
point here. The worst of it was, as he rapidly reflected, that it all
had to be run out so quickly. With a lot of people walking about, they
were liable at any moment to be interrupted; even now he looked with
disgust at a young lady in a creamy white dress, who smiled at Miss
Aitcheson as she passed. He was more disgusted when Bell stopped her.
"We are talking about art and artists," she said, slipping her arm into
the other girl's.
"And we don't want you," Jack said to himself, unmollified by the
answering smile. "However, here goes! So long as Miss Aitcheson hears
and repeats in the right quarter, it doesn't matter who listens."
Aloud, he said, "People who only know Everitt as an artist can't judge
of his kindness of heart. You see, in our line there are a lot of poor
wretches who find it awfully hard to pick up a living. Some are never
good for anything, but there are a few who just want to be set on their
legs, and then they stick there. I'm not sure I wasn't one of them
myself," added Jack, with an ingenuous laugh.
"Did Mr Everitt set you on your legs?" inquired Bell, innocently.
"Yes, he did, and I'm not ashamed to own it," said the young fellow,
manfully. "If I do anything it will be thanks to him." He was so much
taken up with his cause that he did not notice that when Everitt's name
was first mentioned the girl who was standing close to Miss Aitcheson
made a movement to leave them, and was held fast by Bell. Finding
herself a prisoner, she did not again attempt to escape, but stood
silently by, her face almost concealed by the drooping lace of her
parasol.
"There was a man," Jack went on, warming yet more to his subject, "who
got a picture hung at one of last year's exhibitions--it wasn't at all a
bad picture--and sold it. It was his first bit of luck, and almost sent
him off his head; he married, for one thing, on the strength of it.
Well, it wasn't sold, after all."
"Not sold?" repeated Bell, in wonder.
"The purchaser never turned up. That sort of thing does happen now and
then, but it came awfully rough on this poor fellow. You see, it had
kept off other buyers, and then, I expect, he had traded a bit on the
money; and the end of it was, he worked himself into a sort of brain
fever, and was about as bad as could be, and the poor little wife was at
her wits' end, without friends or money or anything. Anybody would have
helped them who'd known, but nobody took the trouble to find out except
Everitt. He got a doctor and a nurse, and I know he went there every
day, and he bought the picture--though, of course, that isn't much good
to _him_."
Public-domain text, read in full here on John Shaqi.
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