Transcriber's note: Text in italic font is marked by _underscores_. * * * * * Two Tragedies of Seneca Two Tragedies of Seneca Medea and The Daughters of Troy Rendered into English Verse, with an Introduction By Ella Isabel Harris Boston and New York Houghton, Mifflin and Company The Riverside Press, Cambridge M DCCC XCIX COPYRIGHT, 1898, BY LAMSON, WOLFFE AND COMPANY COPYRIGHT, 1899, BY ELLA ISABEL HARRIS ALL RIGHTS RESERVED CONTENTS PAGE INTRODUCTION vii Sources of Senecan Influence on English Drama. Tendencies of Senecan Influence as felt by English Drama. Direct Borrowings from Senecan Tragedies. MEDEA 1 THE DAUGHTERS OF TROY 45 INTRODUCTION I SOURCES OF SENECAN INFLUENCE ON ENGLISH DRAMA The interest of English students in the dramas of Seneca lies in the powerful influence exerted by them upon the evolution of the English drama, and these translations have been undertaken in the hope that they may be found useful to English students of English drama. Though all the tragedies ascribed to Seneca are not by the same hand, yet they are so far homogeneous that in considering them as a literary influence, one is not inclined to quarrel with the classification that unites them under a single name. For the present purpose, therefore, no time need be spent in the discussion of their authorship or exact date, but we may turn at once to look for their appearance as agents in the development of the modern, serious drama. In this relation it is hardly possible to overestimate their determining influence throughout Europe. Perhaps it may have been owing to the closer racial bond between the Romans and the French that while the Senecan influence upon the drama in France was so overmastering and tyrannical, in England the native spirit was stronger to resist it, and the English drama at its best remained distinctively English, the influence exercised over it by the Senecan tragedies being rather formative than dominant.