Two Years Among New Guinea Cannibals: A Naturalist's Sojourn Among the Aborigines of Unexplored New Guinea — John Shaqi
Two Years Among New Guinea Cannibals: A Naturalist's Sojourn Among the Aborigines of Unexplored New GuineaPratt, A. E. (Antwerp Edgar)
History
Two Years Among New Guinea Cannibals: A Naturalist's Sojourn Among the Aborigines of Unexplored New Guinea
Pratt, A. E. (Antwerp Edgar)
Ethnology -- New Guinea; Natural history -- New Guinea; New Guinea -- Description and travel
Those who are familiar with the postage-stamp of British New Guinea
must, no doubt, have often wondered what manner of strange craft is
depicted thereon. The stamp, as will be seen from the accompanying
illustration, bears the representation of a boat, or rather a raft,
carrying two gigantic sails resembling the wings of some weird bird, and
the whole appearance of the vessel is one that arouses curiosity. This
is the _lakatoi_, the remarkable trading vessel of the hereditary
potters of Hanuabada, a little village not far from Port Moresby. The
hamlet, with its neighbour, Elevada, is built partly on land and partly
on piles in the water; but while the land part of Hanuabada stands on
the mainland, that part of Elevada which is not aquatic is founded on an
island.
The inhabitants belong to the Motu tribe, and their numbers do not
exceed 800. Their long grass-thatched huts rise from sixteen to twenty
feet above land or water, and each has its little landing-stage on a
lower tier. The main poles supporting these structures are of rough-hewn
tree trunks driven down into the soft sand. At a height of from five to
six feet above the water the natural forks of the main poles are
retained, and across these logs are laid, forming a rude platform.
Ladders of very irregular construction give access almost at haphazard
from stage to stage. Looking through the village below the houses, the
eye encounters a perfect forest of poles, and between the dwellings in
this queer Venice of the East run little waterways just wide enough to
let a canoe pass along without grazing its outriggers. The houses
themselves each contain only one living apartment.
In and out among the houses ply the dug-out canoes, and a very charming
feature of the village is its crowd of children, playing with toy
_lakatois_. The smallest of these toy craft are made of a section of
bamboo ballasted with stones, with a sail of the same shape as that of
the great rafts used by the grown-up people. The bigger children,
scorning the bamboo vessels, have a larger kind, in which the canoes are
real little dug-outs. These youngsters are wonderful swimmers, and as
they conduct their little regattas they jump about in the water,
swimming and diving fearlessly, and enjoying the merriest possible time.
The people of Hanuabada are an agreeable and rather comely race. They
are typical south-east coast natives, with shock heads of black wiry
hair. The women, who carry on the characteristic industry of the place,
the work in earthenware, are lithe picturesque figures in their long
_ramis_ or kilts of grass.
It is a curious fact that, although the Hanuabada and Elevada people
live actually on waters that teem with fish, they are poor fishermen,
being, in fact, too lazy to follow that craft. They are accordingly
helped in this industry by the Hula people, whose fishing fleet presents
at night one of the most weirdly picturesque sights in Papua. Of this I
have more to say in a later chapter.
Public-domain text, read in full here on John Shaqi.
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