So this little god, seeing that he could not get the best of the monkey, gave it up and went back to heaven, and told the Empress of Heaven that the monkey was too strong for him. The Empress of Heaven was in despair, so she sent for Ju Li, an old ancestor of the buddhas, who was the all-powerful one of them all; and Kuan Yin, Goddess of Mercy, and sent them down to the monkey's place to see if they could capture him. When they arrived at the hole in the mountain the monkey came out and looked at Ju Li, but did not say a word, as he knew who this god was. This god pointed a finger at him and he knelt down and submitted. Ju Li said: "Come with me," and took the monkey and put him under another mountain and told him he would have to stay there until he promised he would be good. Ju Li said: "You stay here until one day I lift this mountain up for you to come out to go with a Buddhist Priest to the West side of heaven and demand the prayer books that are kept there. You will have to suffer a great deal on the way and face many dangers, but if you come back with this Buddhist Priest and the prayer books, by that time your savage temper will be gone and you will be put in a nice place in heaven and enjoy life forever afterwards." This finished the play, which was very interesting, and I enjoyed it from beginning to end. It was acted very cleverly and quite realistic, and I was very much surprised to know that the eunuchs could act so well. Her Majesty told us that the scenery was all painted by the eunuchs and that she had taught them about all they knew. Unlike most theatres in China, it had a curtain which was closed between the acts, also wing slides and drop scenes. Her Majesty had never seen a foreign theatre and I could not understand where she got all her ideas from. She was very fond of reading religious books and fairy tales, and wrote them into plays and staged them herself, and was extremely proud of her achievement.