Crime -- Great Britain; Criminals -- Great Britain; Executions and executioners; Tyburn gallows (London, England)
In a lease granted by the Prior of the Knights Hospitallers mention is
made of Great Gibbet Field and Little Gibbet Field, parcel of the manor
of Lilleston.[94] Mr. Loftie says, “We cannot be far wrong in supposing
that the gibbets stood near the highway.” The word gibbet was formerly
used so loosely that we cannot be sure that the fields did not take their
name from the gallows. But Tyburn certainly had, as well as its gallows,
gibbets on which were exposed bodies. But this page in the early history
of Tyburn is almost a blank. The subjects on which it is most difficult
to find information are precisely those of occurrence so common that it
has not entered the head of contemporaries to notice them. That gibbets,
as distinct from gallows, did exist in early times, there is no doubt;
their use continued down to the eighteenth century or later. The old
writers do not clearly distinguish between gibbet and gallows, but there
is a passage in which Matthew Paris certainly means to speak of a gibbet.
In writing of the execution of William Marsh, Matthew Paris leaves it
doubtful whether Marsh was or was not at once fixed to a gibbet. But from
Gregory’s chronicle we learn that Marsh was first hanged; from Matthew
Paris we learn that the body was afterwards hung “on one of the hooks”
of a gibbet.[95] In 1306 the body of Simon Fraser was hung on a gibbet
for twenty days. In 1324 the king granted a petition of the prelates to
permit burial of the bodies of the six barons hanged (not at Tyburn)
in 1322.[96] Bodies would hang together for a much longer time. Jean
Marteilhe saw, hanging on a gibbet in 1713, the body of Captain Smith,
hanged at Execution Dock in 1708.[97]
Thus there must have been an accumulation of bodies swinging from the
gibbets of Tyburn and poisoning the air. The French have always been more
lavish in public monuments than we. The great gibbet of Montfaucon in
the outskirts of Paris was a solid stone structure, with provision for
hanging thereon—if we may trust the pictures given of it—at least sixty
bodies; it is said that the bodies not unfrequently numbered from sixty
to eighty. Under cover of the pestilential air, Maître François Villon,
poet of the gibbet, and the cut-purses, his friends, rioted in security
from intrusion.[98]
Public-domain text, read in full here on John Shaqi.
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