But, although my knowledge of the religious faith of the Typees was
unavoidably limited, one of their superstitious observances with which
I became acquainted interested me greatly.
In one of the most secluded portions of the valley, within a stone’s
cast of Fayaway’s lake—for so I christened the scene of our island
yachting—and hard by a growth of palms, which stood ranged in order
along both banks of the stream, waving their green arms as if to do
honour to its passage, was the mausoleum of a deceased warrior-chief.
Like all the other edifices of any note, it was raised upon a small
pi-pi of stones, which, being of unusual height, was a conspicuous
object from a distance. A light thatching of bleached palmetto-leaves
hung over it like a self-supported canopy; for it was not until you
came very near that you saw it was supported by four slender columns of
bamboo, rising at each corner to a little more than the height of a
man. A clear area of a few yards surrounded the pi-pi, and was enclosed
by four trunks of cocoa-nut trees, resting at the angles on massive
blocks of stone. The place was sacred. The sign of the inscrutable
Taboo was seen, in the shape of a mystic roll of white tappa, suspended
by a twisted cord of the same material from the top of a slight pole
planted within the enclosure.[3] The sanctity of the spot appeared
never to have been violated. The stillness of the grave was there, and
the calm solitude around was beautiful and touching. The soft shadows
of those lofty palm trees—I can see them now—hanging over the little
temple, as if to keep out the intrusive sun.
On all sides, as you approached this silent spot, you caught sight of
the dead chief’s effigy, seated in the stern of a canoe, which was
raised on a light frame a few inches above the level of the pi-pi. The
canoe was about seven feet in length; of a rich, dark-coloured wood,
handsomely carved, and adorned in many places with variegated bindings
of stained sinnate, into which were ingeniously wrought a number of
sparkling sea-shells, and a belt of the same shells ran all round it.
The body of the figure—of whatever material it might have been made—was
effectually concealed in a heavy robe of brown tappa, revealing only
the hands and head; the latter skilfully carved in wood, and surmounted
by a superb arch of plumes. These plumes, in the subdued and gentle
gales which found access to this sequestered spot, were never for one
moment at rest, but kept nodding and waving over the chief’s brow. The
long leaves of the palmetto dropped over the eaves, and through them
you saw the warrior, holding his paddle with both hands in the act of
rowing, leaning forward and inclining his head, as if eager to hurry on
his voyage. Glaring at him for ever, and face to face, was a polished
human skull, which crowned the prow of the canoe. The spectral
figure-head, reversed in its position, glancing backwards, seemed to
mock the impatient attitude of the warrior.
Public-domain text, read in full here on John Shaqi.
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