During the second day of the Feast of Calabashes, Kory-Kory—being
determined that I should have some understanding on these matters—had,
in the course of his explanations, directed my attention to a
peculiarity I had frequently marked among many of the
females,—principally those of a mature age and rather matronly
appearance. This consisted in having the right hand and the left foot
most elaborately tattooed; while the rest of the body was wholly free
from the operation of the art, with the exception of the minutely
dotted lips and slight marks on the shoulders, to which I have
previously referred as comprising the sole tattooing exhibited by
Fayaway, in common with other young girls of her age. The hand and foot
thus embellished, were, according to Kory-Kory, the distinguishing
badge of wedlock, so far as that social and highly commendable
institution is known among these people. It answers, indeed, the same
purpose as the plain gold ring worn by our fairer spouses.
After Kory-Kory’s explanation of the subject, I was for some time
studiously respectful in the presence of all females thus
distinguished, and never ventured to indulge in the slightest approach
to flirtation with any of their number.
A further insight, however, into the peculiar domestic customs of the
inmates of the valley did away in a measure with the severity of my
scruples, and convinced me that I was deceived in some at least of my
conclusions. A regular system of polygamy exists among the islanders,
but of a most extraordinary nature,—a plurality of husbands, instead of
wives; and this solitary fact speaks volumes for the gentle disposition
of the male population.
I was not able to learn what particular ceremony was observed in
forming the marriage contract, but am inclined to think that it must
have been of a very simple nature. Perhaps the mere “popping the
question,” as it is termed with us, might have been followed by an
immediate nuptial alliance. At any rate, tedious courtships are unknown
in the valley of Typee.
Public-domain text, read in full here on John Shaqi.
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